A water vessel made from handblown glass. This is an art piece that allows us to feel the wind and the light in our daily living similar to the water bowl which is often placed in a Japanese garden.

By filling the vessel with water and setting it by the window, it reflects wavering water ripples on the surface it sits on and creates a pleasant time in tune with the change of nature.

A water vessel made from handblown glass. This is an art piece that allows us to feel the wind and the light in our daily living similar to the water bowl which is often placed in a Japanese garden.

By filling the vessel with water and setting it by the window, it reflects wavering water ripples on the surface it sits on and creates a pleasant time in tune with the change of nature.

Ren is a wooden mobile which is made by using a traditional technique of assembling wooden strips without the use of nails to form various designs and patterns.

This is an art piece that reflects the ripple on the surface of the water and light filtering through the trees by incorporating elements of Japanese original fittings such as shoji (room divider screen made of translucent paper and wooden lattice frames) and fusuma (sliding panels that redefine spaces within a room).

Name: Ren

Size: W345 x D68 x H380mm Weight: 220g

Brand : KORAI

Production: Kuroda Kobo

Material : Japanese Cypress(body) / Stainless Steel(wire)

Prices: 100,000 JPY (excluding tax)

More work of Shizuka Tatsuno:

HYDRANGEA

grad.

The brand grad. brings out the distinctive gradation of Satsuma Kiriko cut glass using simple shapes. Artisans overlay lightly-tinted colored glass in thick layers, and then cut the glass at a depth and width that naturally creates a rich gradation of hues. The contrasting shades of color in the cut sections are accentuated as light filters through the glass; and when filled with water, the elegantly shimmering glass draws you deep into a mystical world.

Each piece has been carefully crafted by artisans using the shaping technique of glass blowing. This technique of layering glass involves placing many sheets of colored glass on top of each other. Even among the cut glass items produced worldwide, it is apparently quite rare for a single studio to complete all the processes in crafting one item – from the layering of hand-blown glass to inserting cuts into it.

Deep cuts are meticulously made into each layer of glass, so as to bring out the brilliance of the color gradation in the cut sections and accentuate the overall shape. The appeal of grad. is its simple designs with detailed attention to the subtle angles of each object. It is such fastidiousness for fine design that requires these refined skills in glass blowing and layering.

When I encountered Satsuma Kiriko cut glass, I was fascinated by the depth of gradation reflected in and through the glass. The contrasting shades of color in the cut sections are accentuated as light filters through the glass, and it shimmers elegantly when filled with water. These effects are produced by overlaying lightly-tinted color glass in thick layers, and cutting the glass at a depth and width that naturally creates a rich gradation of hues. Combining two or three layers of colored glass with transparent glass creates an even more magical world of gradation. I used simple shapes to highlight the allure of Satsuma Kiriko’s distinctive changes in color. I was also truly impressed to see for myself the dedicated and genuine artisans earnestly crafting these items in a studio surrounded by lush green nature.

Name: grad. flap

Size: φ63 × H170 mm

Weight: about 360g

Specification:

- Brand : grad.

- Production : Satuma Vidro Artcrafts Co., Ltd

- Material : Glass

- Color : Kawasemi, Ooruri

- Capacity : 250ml

The brand grad. brings out the distinctive gradation of Satsuma Kiriko cut glass using simple shapes. Artisans overlay lightly-tinted colored glass in thick layers, and then cut the glass at a depth and width that naturally creates a rich gradation of hues. The contrasting shades of color in the cut sections are accentuated as light filters through the glass; and when filled with water, the elegantly shimmering glass draws you deep into a mystical world.

Each piece has been carefully crafted by artisans using the shaping technique of glass blowing. This technique of layering glass involves placing many sheets of colored glass on top of each other. Even among the cut glass items produced worldwide, it is apparently quite rare for a single studio to complete all the processes in crafting one item – from the layering of hand-blown glass to inserting cuts into it.

Deep cuts are meticulously made into each layer of glass, so as to bring out the brilliance of the color gradation in the cut sections and accentuate the overall shape. The appeal of grad. is its simple designs with detailed attention to the subtle angles of each object. It is such fastidiousness for fine design that requires these refined skills in glass blowing and layering.

When I encountered Satsuma Kiriko cut glass, I was fascinated by the depth of gradation reflected in and through the glass. The contrasting shades of color in the cut sections are accentuated as light filters through the glass, and it shimmers elegantly when filled with water. These effects are produced by overlaying lightly-tinted color glass in thick layers, and cutting the glass at a depth and width that naturally creates a rich gradation of hues. Combining two or three layers of colored glass with transparent glass creates an even more magical world of gradation. I used simple shapes to highlight the allure of Satsuma Kiriko’s distinctive changes in color. I was also truly impressed to see for myself the dedicated and genuine artisans earnestly crafting these items in a studio surrounded by lush green nature.

Name: grad. ice

Size: φ59 × H150 mm

Weight: about 400g

Specification:

- Brand : grad.

- Production : Satuma Vidro Artcrafts Co., Ltd

- Material : Glass

- Color : Blue, Green, Indigo Blue, Ultramarine Blue

- Capacity : 200ml

Product category: Bench

Environment: Indoor

Material: Natural rattan core, rattan inner frame

Colour: Natural, white, black

Dimensions

L 259cm / 102in

W 87.5cm / 34.5in

H 55cm / 21.7in

Seat height 39cm / 15.4in

Seat depth 55cm / 21.6in

Lead Time

12-14 weeks

Product Description

Linger is designed to bring people together. Linger is made only by human hands as opposed to machines. Using material that comes from nature instead of man-made

Product category: Dining Chair

Environment: Indoor

Material: Natural rattan, indoor removable cushion

Color: Natural, white, black, grey

Dimensions

L 60cm / 23.6in

W 77cm / 33in

H 85cm / 33.4in

Seat height 44.5cm / 17.5in

Seat depth 55cm / 21.6in

Lead Time

5-7 weeks

Product Description

A chair that gently curves its corolla to accommodate the arms of the person sitting on it.

This design object is an attempt to increase the production process and visualize the "consumption of time" by applying multiple layers of paint and using multiple colors. The "consumption of time" means that the creator is consuming life through the act of creation. In addition, I tried to visualize the "individuality" and "desire" of human beings in that they are aware of the color scheme and painting method even if there are no rules.”

 Materials; Old woodcraft stool, oil paintng

Made to Order

DIG/PAINT/DRAW by Kairo Kusamoto, Materials: Styrofoam, Acrylic paint, oil paint, lacquer.

“In this design, I considered a lump of styrofoam, which is uniformly produced by machines and has not been touched by human hands, as a symbolic object. Using Styrofoam, I attempted to visualize the characteristics of the human hand that do not appear in machine production.

I used the act of "digging and scraping" as a method of molding. The method of "drawing and painting" was used as an act of finishing, expression, and decoration in manufacturing. The analog digging of styrofoam was presented by comparing the dug and undug portions. And the hole has a distorted shape.

This design object is an attempt to increase the production process and visualize the "consumption of time" by applying multiple layers of paint and using multiple colors. The "consumption of time" means that the creator is consuming life through the act of creation. In addition, I tried to visualize the "individuality" and "desire" of human beings in that they are aware of the color scheme and painting method even if there are no rules.”

Oil Wood Craft bench is one of the item designed by Kairo Kusamoto. using old wood craft bench and to paint on a painting chair to created the "Visualisation of human "hands" .

Play Stool is one of the items from Play collection designed by SHIGEKI YAMAMOTO

THE DESIGNER

Hamajima Takuya is a Japanese Artist/designer based in Tokyo, Japan.

After graduating from Musashino Art University in 2011, studying the preparation of natural materials and heat treatment technology at the Ceramics Research Laboratory, he became independent.

He has a passion for craftsmanship and sculptural modelling representation, he continues to exhibit his highly refined art pieces in major cities like London, Paris, New York, Hong Kong and more.

He produces the entire design production himself, including the development of material and all processes of moulding.

ABOUT THE DESIGN

“One thought I have been harbouring is creating new encounters and awakening new reactions from the combinations.

Aren't new archetypes of future generated when people meet and create different circumstances? Similarly, in artistic expression, I'm constantly in search of a new combination of materials and skills. I feel (always have a feeling that) there is always a story between two objects, and I'm expecting something new to be born as a result.”

The ARC chair was designed based on influences from various cultures. It marries European elegance and Japanese sophistication. The main structure that looks like a bow creates a bold and unique impression. It consists of minimal parts, realizing a lightweight and rigid chair constructed with high-quality craftsmanship. The ARC chair helps to create beautiful spaces in various scenes, such as residences and lounges. USCITA is a new brand. The impetus for the project came when the ARC chair was entered for the IFDA2017 international furniture design competition and was awarded as finalist's prize.

A wall shelf that looks like knitting: “Amime”

Each piece can be attached to the wall in any direction to create a variety of patterns. When coordinated in a cross, it creates a knitted pattern; when arranged in parallel, it forms waves. Amime is not only storage space but also adds a decorative touch to the wall.

When plants or lighting spill out from the shelf, it also creates a playful effect as if they were tucked into the stitching.

THE STUDIO

and Associates is a design firm based in Tokyo that strives to design simple and flexible pieces, in hopes to add some playful elements.

After the founder, Tomoki Doi graduated from Kuwasawa Design School in Tokyo and also is currently teaching there as a part-time lecturer.

THE DESIGNER

Hamajima Takuya is a Japanese Artist/designer based in Tokyo, Japan.

After graduating from Musashino Art University in 2011, studying the preparation of natural materials and heat treatment technology at the Ceramics Research Laboratory, he became independent.

He has a passion for craftsmanship and sculptural modelling representation, he continues to exhibit his highly refined art pieces in major cities like London, Paris, New York, Hong Kong and more.

He produces the entire design production himself, including the development of material and all processes of moulding.

ABOUT THE DESIGN

“One thought I have been harbouring is creating new encounters and awakening new reactions from the combinations.

Aren't new archetypes of future generated when people meet and create different circumstances? Similarly, in artistic expression, I'm constantly in search of a new combination of materials and skills. I feel (always have a feeling that) there is always a story between two objects, and I'm expecting something new to be born as a result.”

The F02 Lounge Chair from the Chabanel II Collection is the latest creation of Atelier Barda. Until now, the prototype was produced in small series for a specific project in the fashion industry. The brutalism-inspired design plays on the imperfection of the material and the minimalist lines. The cylindrical and robust legs contrast with the thin volume of the seat and the backrest molded in ultra-high performance concrete.

Cécile Combelle and Antonio Di Bacco, both graduate from the École nationale supérieure d’architecture de Toulouse, France, founded the Montreal-based international architecture and design studio Atelier Barda in 2013. Their multidisciplinary practice is guided by a commitment to fulfilling and even exceeding the design brief by pushing creative boundaries. Starting from an intuitive but rigorous manner, they approach each design by paying particular attention to the references born of their personal and common history, as well as the knowledge acquired through experience: matter in constant transformation. For Cécile and Antonio, design reflects the intimate character of the designer.

The team composed of passionate members from various backgrounds combines traditional and contemporary vocabularies, freely exploring uses and materials to create clean-lined, timeless spaces and furniture pieces. In 2017, Atelier Barda expanded into furniture design with its new division Foraine. Whether the team is designing a custom collection or adapting an existing line to a new space, they adopt an integrated approach, working closely with local artisans at every stage of the process. The multidisciplinary practice is guided by a commitment to fulfilling and even exceeding the design brief by pushing creative boundaries in an open and sensitive manner.

BELCANTO

The goal behind this dramatic piece is to change the general perception of a chair as being static and structural. We pushed wood to its limits by exposing its potential as fluid, dynamic and continuous. A limited-edition.

DIMENSIONS: W 17" (43 cm)

D 46" (117 cm)

H 25" (63.5 cm)

FINISH: Black lacquer

ABOUT JASON MIZRAHI

Jason Mizrahi is a designer of contemporary furniture. After receiving his degree in Architecture from Pratt Institute in New York, Jason returned to Los Angeles and founded his design studio.

Blurring the line between furniture and sculpture, Jason’s designs are compositions in minimal and fluid forms, defined by proportion, and unrestrained by convention. His pieces embody a collective balance of timeless elements rooted in art, architecture, and fashion. In constant search of the perfect balance, his work represents a fusion between solids and voids, lines and shapes, both minimal and expressive.

SIA - Limited Edition

The undulating lines of the Sia add a sculptural element to space. The different variants of Sia offer flexibility in how it can be used. Made of aluminum and finished with either a black powder coat and a contrasting trim or in a bronze finish. The seat can be covered either with leather or fabric.

Sia can also function as a cocktail table when ordered without the cushioned seat.

DIMENSIONS: W 17" (43 cm)

D 46" (117 cm)

H 25" (63.5 cm)

FINISH: Black lacquer

ABOUT JASON MIZRAHI

Jason Mizrahi is a designer of contemporary furniture. After receiving his degree in Architecture from Pratt Institute in New York, Jason returned to Los Angeles and founded his design studio.

Blurring the line between furniture and sculpture, Jason’s designs are compositions in minimal and fluid forms, defined by proportion, and unrestrained by convention. His pieces embody a collective balance of timeless elements rooted in art, architecture, and fashion. In constant search of the perfect balance, his work represents a fusion between solids and voids, lines and shapes, both minimal and expressive.

Taking inspiration from the twisting forms of organic materials, Hasse hand-carves each element of his unique dining hair before casting it in polished bronze. The bronze components appear as animated waves, columns of smoke, or curling seaweed.

Shown upholstered in white pony hair, the chair can be upholstered in a variety of materials. The back-rest can also be created in hand-carved wood.