"Structural Design" within Realm of Architecture exhibition by WHAT MUSEUM
The WHAT MUSEUM, hosted by Warehouse TERRADA, presents "Sense of Structure: From Horyuji Temple to the Universe," from April 26 to August 25, 2024.
This one-of-a-kind exhibition illuminates the world of Structural Design, a pioneering framework of architecture. It takes you on a journey from the world's oldest surviving wooden building, the five-storied Pagoda at Horyuji Temple, to the future with lunar base camps. With over 100 structural models from renowned architectural masterpieces, this exhibition is a celebration of the innovative field of "structural design," the backbone of building frameworks.
The WHAT MUSEUM, hosted by Warehouse TERRADA, presents "Sense of Structure: From Horyuji Temple to the Universe," from April 26 to August 25, 2024.
This one-of-a-kind exhibition illuminates the world of Structural Design, a pioneering framework of architecture. It takes you on a journey from the world's oldest surviving wooden building, the five-storied Pagoda at Horyuji Temple, to the future with lunar base camps. With over 100 structural models from renowned architectural masterpieces, this exhibition is a celebration of the innovative field of "structural design," the backbone of building frameworks.
While Japan boasts numerous globally acclaimed architects, the pivotal role of structural engineers often goes unnoticed. These engineers, crucial in realizing architects' visions by meticulously engaging with materials and the dynamics of forces such as gravity and wind, are instrumental in shaping structures that resonate with their era and society.
Don't be intimidated by the world of specialized structural design. This exhibition is designed to make it accessible and engaging. You'll have the opportunity to interact with and understand architectural "frameworks" through interactive models, providing a hands-on introduction to their principles.
As sustainability becomes a global concern, the latter part of our exhibition shines a spotlight on wooden architecture, a building material that's gaining prominence for its eco-friendliness. From Japan's traditional techniques to cutting-edge innovations, this segment explores the historical significance of wooden structures while contemplating the future of wooden architecture.
Immerse yourself in the expansive reach of structural design through interdisciplinary collaborations in fashion, space exploration, and beyond. With a substantial refresh of exhibits and over 100 structural models on display, our exhibition offers a comprehensive exploration of architectural marvels that will leave you inspired.
Highlights of the exhibition include:
A diverse collection of over 100 valuable structural models, offering a panoramic view of Japan's architectural history spanning more than 1,400 years.
Interactive models, including a 1/10 scale replica of the five-storied Pagoda at Horyuji Temple (approximately 3.6m tall), providing a tactile understanding of structural scale and mechanics.
Prepare to be astounded by the unveiling of a groundbreaking full-scale model of a "lunar Base Camp." This awe-inspiring creation, designed for human habitation on the Moon, is the result of a monumental collaboration with JAXA (Japanese Aerospace Exploration Agency) and renowned structural engineer Jun Sato and his team.
A comprehensive showcase of over 50 structural engineers, showcasing emerging talents alongside established names from Japan.
Innovative collaborations between fashion and structural design, featuring HOMME PLISSE ISSEY MIYAKE.
Message rom the Curator:
We humans have lived in a world subject to seismic force, wind force, and other natural forces. How have we designed the flow of forces in architecture on this planet? In the world of structural design, structural engineers have been working diligently with such flow of forces and materials in a gravitational space called the Earth and have merged technologies and art in the changing times and society. This exhibition showcases Japan’s structural engineers and structural design, which are pivotal in the creation of architecture, from traditional Japanese wooden structures and contemporary wooden architecture to space structures, articulated through four themes to highlight the expansive reach of structural design. Vistors can engage with structural models and feel the architecture firsthand, gaining insight into the forces that sculpt our environment and connecting these experiences with their own sensibilities. They can also experience the creative possibilities of structural design and its philosophy behind structural design as a form of creative expression. We eagerly invite a diverse audience to experience the world of structural design through their senses.
About the Exhibition:
SENSE OF STRUCTURE: From Horyuji Temple To The Universe
Date: April 26 - August 25, 2024.
Venue: 1st and 2nd floors at WHAT MUSEUM (Warehouse TERRADA G BUILDING, 2-6-10 Higashi-Shinagawa, Shinagawa-ku, Tokyo 140-0002.
Open Hours: Tuesday - Sunday, 11:00 AM - 6:00 PM (Admission until 5:00 PM)
Closed on : Monday (but open when Monday is a public holiday, then closed the following Tuesday)
Admission: Adults 1,500 yen/ University or vocational college students 800 yen/ Students under high school age (Free)
Advance reservation by online ticketing is available: https://ticket-what.warehouseofart.org
Kang Myonghi: The Colors of Time
In a momentous stride, VILLEPIN inaugural exhibition in Seoul, "Kang Myonghi: The Colors of Time," has emerged as a resounding success, laying the foundation for a captivating chapter in our artistic journey through Korea.
In a momentous stride, VILLEPIN inaugural exhibition in Seoul, "Kang Myonghi: The Colors of Time," has emerged as a resounding success, laying the foundation for a captivating chapter in our artistic journey through Korea.
Behind the Scenes with Curators
In an exclusive video feature, co-curators Arthur de Villepin and Dominique de Villepin invite art enthusiasts on a journey into the heart of Myonghi's artistic odyssey. Unveiling the layers of Myonghi's rare artistic commitment amidst an era of unprecedented change, the video explores her travels from the Gobi Desert to the glaciers of Patagonia, where she seeks the primordial origins of our times.
A Global Trailblazer
Kang Myonghi, a trailblazing painter, has left an indelible mark as the first Korean female artist exhibited in top-tier museums and international institutions. From Centre Georges Pompidou in Paris to the National Museum of Contemporary Art in Seoul, her artistic footprint spans the globe. Alongside her husband Setaik Yim, she founded the iconic Musée de Séoul in 1981, South Korea's pioneering Museum of Art.
Vibrant Compositions
Myonghi's latest compositions weave a vibrant tapestry, echoing her cultural heritage with vivid colors and intricate brushwork. Each stroke resonates with the essence of Korean and Asian landscapes, traditions, and spirituality.
International Presence
Myonghi's artistic journey has graced esteemed institutions, including the Beijing National Art Museum, Ningbo Museum of Art, Shanghai Museum of Art, and Beijing Art Museum of Imperial City in China. Her recent solo exhibition in Qingdao, coinciding with Antony Gormley’s showcase at the TAG museum in 2023, stands as a testament to her enduring influence.
A Legacy of Firsts
A pioneer in breaking barriers, Myonghi showcased her solo exhibition at Centre Georges Pompidou in 1986 and contributed to the World Expo in Daejeon, South Korea, in 1993. Her visionary spirit continues to shape the artistic landscape.
For more information, please visit: https://www.villepinart.com
Kieran Long appointed new Museum Director of Amos Rex
Amos Rex, which burst onto the scene with a bang in 2018, has established itself as an unconventional art museum and a landmark in Helsinki. In its first year of operation, Amos Rex welcomed over half a million museum visitors. In addition to the inaugural exhibition by teamLab, Amos Rex has showcased exhibitions by Studio Drift, Bill Viola, and Hans Op de Beeck among others, as well as two group exhibitions by Generation, featuring artists aged 15 to 23.
Amos Rex, which burst onto the scene with a bang in 2018, has established itself as an unconventional art museum and a landmark in Helsinki. In its first year of operation, Amos Rex welcomed over half a million museum visitors. In addition to the inaugural exhibition by teamLab, Amos Rex has showcased exhibitions by Studio Drift, Bill Viola, and Hans Op de Beeck among others, as well as two group exhibitions by Generation, featuring artists aged 15 to 23.
Photographer: Photo: Cata Portin
As the retirement of Museum Director Kai Kartio approached, the board of Amos Rex conducted an international search for his successor. The Chairman of the board is Stefan Björkman, CEO of Konstsamfundet, which owns Amos Rex. Elisabeth Millqvist has newly been appointed as Vice-Chair of Amos Rex’s board. Other board members are Cilla Lönnqvist, Leif Jakobsson and Laura Aalto.
Stefan Björkman explains the focus of the search:
"We wanted to bring something new to the Helsinki art scene, and that's why we decided to look for candidates also from outside of Finland. Kieran Long was the one who best fit our criteria. We aim to continue the success of Amos Rex beyond its incredible first five years. Kieran possesses solid expertise in the field of art, and he has exciting ideas about how we can better use the unique location of Amos Rex and the entire Lasipalatsi (Glass Palace) Quarter in the heart of Helsinki."
Kieran Long, the newly appointed Museum Director of Amos Rex, is the first international museum director in Finland. British-born Long is moving from Sweden, where he held the role of Director at ArkDes, the Swedish Centre for Architecture and Design. Previously, Long has led the Design, Architecture, and Digital Department at the Victoria & Albert Museum in London and led the curatorial team for the 2012 Venice Architecture Biennale. He has also had a long career as a teacher, broadcaster, writer, and commentator.
Gunvor Kronman, Chair of the Board of Konstsamfundet, who was involved in the recruitment process, describes:
"Kieran Long is a fresh choice in the Finnish art scene. We have been bold and stepped beyond national boundaries and even beyond Nordic borders; Long holds both a British and a Swedish citizenship. He has grown up in a different cultural tradition, and I believe it can significantly enhance the Helsinki art scene through collegial cooperation."
Vice-chair of Amos Rex's board, Elisabeth Millqvist, Director of Moderna Museet Malmö, comments on the appointment:
"Amos Rex has always dared to experiment and go beyond expectations – this is evident in both the museum's architecture and its exhibition program. The appointment emphasizes the same focus; nowadays, artists work by pushing boundaries, and Kieran Long's outlook will be an advantage."
Kieran Long himself recognizes the substantial potential that is inherent in Amos Rex, emphasizing its importance as follows:
"Amos Rex is one of the most successful and exciting new contemporary art institutions in Europe, and it is a great honour to be chosen to continue the outstanding work Kai and the team have done since 2018. It is exciting to have this opportunity to activate a public space in the heart of Helsinki at a time when the city is growing and changing. Throughout my career, I have focused on museums as public spaces, and Amos Rex, in the centre of Helsinki, has such potential to be one of Helsinki’s most important. I want people to experience Amos Rex as an extraordinary, collective experience of art, even if they might not even buy a museum ticket."
M+ first Special Exhibition, Yayoi Kusama: 1945 to Now
M+, Asia’s first global museum of contemporary visual culture in the West Kowloon Cultural District in Hong Kong, is pleased to announce the museum’s first Special Exhibition: Yayoi Kusama: 1945 to Now, to be opened on M+’s first anniversary, 12 November 2022 (Saturday) through 14 May 2023 (Sunday), with HSBC as Lead Sponsor. M+ also announces the ticketing arrangements for General Admission and Yayoi Kusama: 1945 to Now, both of which take effect on 12 November 2022 (Saturday), and unveils its programme of exhibitions for the second year of opening.
M+, Asia’s first global museum of contemporary visual culture in the West Kowloon Cultural District in Hong Kong, is pleased to announce the museum’s first Special Exhibition: Yayoi Kusama: 1945 to Now, to be opened on M+’s first anniversary, 12 November 2022 (Saturday) through 14 May 2023 (Sunday), with HSBC as Lead Sponsor. M+ also announces the ticketing arrangements for General Admission and Yayoi Kusama: 1945 to Now, both of which take effect on 12 November 2022 (Saturday), and unveils its programme of exhibitions for the second year of opening.
M+ celebrates its first anniversary with a Special Exhibition by visionary artist Yayoi Kusama
Yayoi Kusama: 1945 to Now is the largest retrospective of renowned artist Yayoi Kusama in Asia outside Japan, featuring more than 200 works from major collections from museums and private collections in Asia, Europe, and the United States, the M+ Collection, as well as from the artist’s own collection. Co-curated by Doryun Chong, Deputy Director, Curatorial and Chief Curator, M+, and Mika Yoshitake, independent curator, the exhibition introduces a new interpretative approach to Kusama’s over seven-decade career and invites viewers to discover the transformative power of art. The retrospective highlights the core aesthetic elements of Kusama’s work and foregrounds her recurring philosophical questions about life and death and her longing for interconnectedness. The exhibition explores how Kusama has become a global cultural icon who creates vital and influential work to this day.
Suhanya Raffel, Museum Director, M+, says, ‘M+ has achieved unprecedented success in its first year of opening on 12 November 2021. Notwithstanding the temporary closure of the museum from January to April this year due to the pandemic, it has already welcomed over 1.53 million visitors. This strong show of public support is a testament to the museum’s role in transforming and enriching the cultural ecology in Hong Kong and Asia and making contemporary visual culture more accessible to all. We are proud to present Yayoi Kusama: 1945 to Now to our audiences, as the internationally acclaimed artist’s cross-disciplinary and global art practice resonates with the essence of what M+ offers. We look forward to another splendid year ahead with a terrific line-up of exhibitions and programmes.’
Organised chronologically and thematically, and spanning from Kusama’s earliest work to her most recent output, Yayoi Kusama: 1945 to Now features a wide range of paintings, installations, sculptures, drawings, collages, moving images, and archival materials. The exhibition examines Kusama's practice as it developed in Japan, the United States, Europe, and beyond through six themes: Infinity, Accumulation, Radical Connectivity, Biocosmic, Death, and Force of Life.
The exhibition presents three brand-new works to audiences for the first time. Death of Nerves (2022) is a large-scale installation commissioned by M+. Installed in the Lightwell that connects the museum’s ground floor and the basement levels and draping down to the Found Space on the B2 level, the work can be viewed from multiple vantages throughout the M+ building. Dots Obsession—Aspiring to Heaven's Love (2022), presented in The Studio on the B2 level, is an ambitious immersive environment that includes one of the artist’s signature mirrored spaces. Two large sculptures titled Pumpkin (2022) will be available for public viewing in the Main Hall on the ground floor.
“Yayoi Kusama is one of the most influential and inspiring artists of our time. Her Asian roots, transnational history, as well as her singular artistic language and philosophy that she has developed from the 1940s to now, have all contributed to making her the leading cultural figure she is now globally. This is the first time in Greater China the full trajectory of Kusama’s art is presented in a comprehensive retrospective exhibition providing a holistic and unique perspective on the accomplishments of this visionary artist.”
To accompany the exhibition, Thames & Hudson will publish Yayoi Kusama: 1945 to Now in collaboration with M+. Edited by Doryun Chong and Mika Yoshitake, this comprehensive and richly illustrated 400-page publication features contributions by the editors as well as Isabella Tam, Associate Curator, Visual Art, M+, and Alex A. Jones, independent researcher and writer. The publication is a collection of curatorial essays, thematic texts, a visual chronology of Kusama’s life, a roundtable discussion with leading authorities in the field, and a selection of poetry, manifestoes, past interviews, and previously unpublished artist writings. Both English and Chinese editions are available for pre-order at the M+ Shop online starting from 15 September 2022. In addition, a series of public programmes will be available throughout the exhibition period. Visitors are invited to dive deeper into Kusama’s art practice with curators’ talks, screenings, and family-friendly activities with details to be announced later. For further details about Yayoi Kusama: 1945 to Now, please refer to the fact sheet at Appendix 1.
Yayoi Kusama: 1945 to Now is supported by HSBC, Lead Sponsor, together with HKT as Major Sponsor, Louis Vuitton and The Macallan as Supporting Sponsors and Cathay Pacific as Airline Partner of the exhibition.
“M+’s exhibition sheds new light on Yayoi Kusama’s art philosophy and life. Kusama has transformed her personal experiences—the challenges she has faced in her career, as well as her lifelong battle with mental health—into a creative force through the regenerative power of healing amidst our global pandemic era. We are delighted to introduce audiences to this artist’s profound vision through new thematic trajectories as well a newly commissioned work.”
M+ announces ticket arrangements after first anniversary
Admission fees to M+ exhibitions are waived for the first year since its opening on 12 November 2021. All visitors can enjoy free admission to M+ exhibitions until 11 November 2022 (Friday). Thanks to the overwhelming support of the local community, as of 14 September 2022 (Wednesday), more than 1.53 million visitors have visited M+ for free. Starting from its first anniversary on 12 November 2022, visitors are required to purchase tickets in advance to access all M+ exhibitions, except for Hong Kong: Here and Beyond, one of the museum’s opening exhibitions presented in the Main Hall Gallery on the ground floor, which will maintain free access for the public during its exhibition period until June 2023.
General Admission tickets are priced at HK$120 for adults and HK$60 for visitors eligible for concessionary fare, which entitle them to visit all M+ exhibitions except Yayoi Kusama: 1945 to Now on B2 level and in West Gallery on the second floor; whereas Yayoi Kusama: 1945 to Now tickets, which allow visitors access to all galleries, are priced at HK$240 for adults and HK$150 for concession. Admission to Pumpkin (2022) and Hong Kong: Here and Beyond on the ground floor and the B1 level of the museum respectively will be free of charge.
Tickets for both General Admission and Yayoi Kusama: 1945 to Now for the period from 12 November 2022 (Saturday) to 31 January 2023 (Tuesday) will be available for online purchase starting from 10am on 13 October 2022 (Thursday). M+ Members and Patrons can enjoy priority booking for tickets to Yayoi Kusama: 1945 to Now during the Priority Booking period from 29 September 2022 (Thursday) to 12 October 2022 (Wednesday). For further details about M+ tickets, please refer to M+ and West Kowloon Cultural District websites and the fact sheet at Appendix 2. Further details will be announced in the first half of October 2022.
Visitors are encouraged to seize the last chance to book their free visit to M+ until 11 November 2022 (Friday) via the designated online booking platform.