"Structural Design" within Realm of Architecture exhibition by WHAT MUSEUM
The WHAT MUSEUM, hosted by Warehouse TERRADA, presents "Sense of Structure: From Horyuji Temple to the Universe," from April 26 to August 25, 2024.
This one-of-a-kind exhibition illuminates the world of Structural Design, a pioneering framework of architecture. It takes you on a journey from the world's oldest surviving wooden building, the five-storied Pagoda at Horyuji Temple, to the future with lunar base camps. With over 100 structural models from renowned architectural masterpieces, this exhibition is a celebration of the innovative field of "structural design," the backbone of building frameworks.
The WHAT MUSEUM, hosted by Warehouse TERRADA, presents "Sense of Structure: From Horyuji Temple to the Universe," from April 26 to August 25, 2024.
This one-of-a-kind exhibition illuminates the world of Structural Design, a pioneering framework of architecture. It takes you on a journey from the world's oldest surviving wooden building, the five-storied Pagoda at Horyuji Temple, to the future with lunar base camps. With over 100 structural models from renowned architectural masterpieces, this exhibition is a celebration of the innovative field of "structural design," the backbone of building frameworks.
While Japan boasts numerous globally acclaimed architects, the pivotal role of structural engineers often goes unnoticed. These engineers, crucial in realizing architects' visions by meticulously engaging with materials and the dynamics of forces such as gravity and wind, are instrumental in shaping structures that resonate with their era and society.
Don't be intimidated by the world of specialized structural design. This exhibition is designed to make it accessible and engaging. You'll have the opportunity to interact with and understand architectural "frameworks" through interactive models, providing a hands-on introduction to their principles.
As sustainability becomes a global concern, the latter part of our exhibition shines a spotlight on wooden architecture, a building material that's gaining prominence for its eco-friendliness. From Japan's traditional techniques to cutting-edge innovations, this segment explores the historical significance of wooden structures while contemplating the future of wooden architecture.
Immerse yourself in the expansive reach of structural design through interdisciplinary collaborations in fashion, space exploration, and beyond. With a substantial refresh of exhibits and over 100 structural models on display, our exhibition offers a comprehensive exploration of architectural marvels that will leave you inspired.
Highlights of the exhibition include:
A diverse collection of over 100 valuable structural models, offering a panoramic view of Japan's architectural history spanning more than 1,400 years.
Interactive models, including a 1/10 scale replica of the five-storied Pagoda at Horyuji Temple (approximately 3.6m tall), providing a tactile understanding of structural scale and mechanics.
Prepare to be astounded by the unveiling of a groundbreaking full-scale model of a "lunar Base Camp." This awe-inspiring creation, designed for human habitation on the Moon, is the result of a monumental collaboration with JAXA (Japanese Aerospace Exploration Agency) and renowned structural engineer Jun Sato and his team.
A comprehensive showcase of over 50 structural engineers, showcasing emerging talents alongside established names from Japan.
Innovative collaborations between fashion and structural design, featuring HOMME PLISSE ISSEY MIYAKE.
Message rom the Curator:
We humans have lived in a world subject to seismic force, wind force, and other natural forces. How have we designed the flow of forces in architecture on this planet? In the world of structural design, structural engineers have been working diligently with such flow of forces and materials in a gravitational space called the Earth and have merged technologies and art in the changing times and society. This exhibition showcases Japan’s structural engineers and structural design, which are pivotal in the creation of architecture, from traditional Japanese wooden structures and contemporary wooden architecture to space structures, articulated through four themes to highlight the expansive reach of structural design. Vistors can engage with structural models and feel the architecture firsthand, gaining insight into the forces that sculpt our environment and connecting these experiences with their own sensibilities. They can also experience the creative possibilities of structural design and its philosophy behind structural design as a form of creative expression. We eagerly invite a diverse audience to experience the world of structural design through their senses.
About the Exhibition:
SENSE OF STRUCTURE: From Horyuji Temple To The Universe
Date: April 26 - August 25, 2024.
Venue: 1st and 2nd floors at WHAT MUSEUM (Warehouse TERRADA G BUILDING, 2-6-10 Higashi-Shinagawa, Shinagawa-ku, Tokyo 140-0002.
Open Hours: Tuesday - Sunday, 11:00 AM - 6:00 PM (Admission until 5:00 PM)
Closed on : Monday (but open when Monday is a public holiday, then closed the following Tuesday)
Admission: Adults 1,500 yen/ University or vocational college students 800 yen/ Students under high school age (Free)
Advance reservation by online ticketing is available: https://ticket-what.warehouseofart.org
Kang Myonghi: The Colors of Time
In a momentous stride, VILLEPIN inaugural exhibition in Seoul, "Kang Myonghi: The Colors of Time," has emerged as a resounding success, laying the foundation for a captivating chapter in our artistic journey through Korea.
In a momentous stride, VILLEPIN inaugural exhibition in Seoul, "Kang Myonghi: The Colors of Time," has emerged as a resounding success, laying the foundation for a captivating chapter in our artistic journey through Korea.
Behind the Scenes with Curators
In an exclusive video feature, co-curators Arthur de Villepin and Dominique de Villepin invite art enthusiasts on a journey into the heart of Myonghi's artistic odyssey. Unveiling the layers of Myonghi's rare artistic commitment amidst an era of unprecedented change, the video explores her travels from the Gobi Desert to the glaciers of Patagonia, where she seeks the primordial origins of our times.
A Global Trailblazer
Kang Myonghi, a trailblazing painter, has left an indelible mark as the first Korean female artist exhibited in top-tier museums and international institutions. From Centre Georges Pompidou in Paris to the National Museum of Contemporary Art in Seoul, her artistic footprint spans the globe. Alongside her husband Setaik Yim, she founded the iconic Musée de Séoul in 1981, South Korea's pioneering Museum of Art.
Vibrant Compositions
Myonghi's latest compositions weave a vibrant tapestry, echoing her cultural heritage with vivid colors and intricate brushwork. Each stroke resonates with the essence of Korean and Asian landscapes, traditions, and spirituality.
International Presence
Myonghi's artistic journey has graced esteemed institutions, including the Beijing National Art Museum, Ningbo Museum of Art, Shanghai Museum of Art, and Beijing Art Museum of Imperial City in China. Her recent solo exhibition in Qingdao, coinciding with Antony Gormley’s showcase at the TAG museum in 2023, stands as a testament to her enduring influence.
A Legacy of Firsts
A pioneer in breaking barriers, Myonghi showcased her solo exhibition at Centre Georges Pompidou in 1986 and contributed to the World Expo in Daejeon, South Korea, in 1993. Her visionary spirit continues to shape the artistic landscape.
For more information, please visit: https://www.villepinart.com
Kieran Long appointed new Museum Director of Amos Rex
Amos Rex, which burst onto the scene with a bang in 2018, has established itself as an unconventional art museum and a landmark in Helsinki. In its first year of operation, Amos Rex welcomed over half a million museum visitors. In addition to the inaugural exhibition by teamLab, Amos Rex has showcased exhibitions by Studio Drift, Bill Viola, and Hans Op de Beeck among others, as well as two group exhibitions by Generation, featuring artists aged 15 to 23.
Amos Rex, which burst onto the scene with a bang in 2018, has established itself as an unconventional art museum and a landmark in Helsinki. In its first year of operation, Amos Rex welcomed over half a million museum visitors. In addition to the inaugural exhibition by teamLab, Amos Rex has showcased exhibitions by Studio Drift, Bill Viola, and Hans Op de Beeck among others, as well as two group exhibitions by Generation, featuring artists aged 15 to 23.
Photographer: Photo: Cata Portin
As the retirement of Museum Director Kai Kartio approached, the board of Amos Rex conducted an international search for his successor. The Chairman of the board is Stefan Björkman, CEO of Konstsamfundet, which owns Amos Rex. Elisabeth Millqvist has newly been appointed as Vice-Chair of Amos Rex’s board. Other board members are Cilla Lönnqvist, Leif Jakobsson and Laura Aalto.
Stefan Björkman explains the focus of the search:
"We wanted to bring something new to the Helsinki art scene, and that's why we decided to look for candidates also from outside of Finland. Kieran Long was the one who best fit our criteria. We aim to continue the success of Amos Rex beyond its incredible first five years. Kieran possesses solid expertise in the field of art, and he has exciting ideas about how we can better use the unique location of Amos Rex and the entire Lasipalatsi (Glass Palace) Quarter in the heart of Helsinki."
Kieran Long, the newly appointed Museum Director of Amos Rex, is the first international museum director in Finland. British-born Long is moving from Sweden, where he held the role of Director at ArkDes, the Swedish Centre for Architecture and Design. Previously, Long has led the Design, Architecture, and Digital Department at the Victoria & Albert Museum in London and led the curatorial team for the 2012 Venice Architecture Biennale. He has also had a long career as a teacher, broadcaster, writer, and commentator.
Gunvor Kronman, Chair of the Board of Konstsamfundet, who was involved in the recruitment process, describes:
"Kieran Long is a fresh choice in the Finnish art scene. We have been bold and stepped beyond national boundaries and even beyond Nordic borders; Long holds both a British and a Swedish citizenship. He has grown up in a different cultural tradition, and I believe it can significantly enhance the Helsinki art scene through collegial cooperation."
Vice-chair of Amos Rex's board, Elisabeth Millqvist, Director of Moderna Museet Malmö, comments on the appointment:
"Amos Rex has always dared to experiment and go beyond expectations – this is evident in both the museum's architecture and its exhibition program. The appointment emphasizes the same focus; nowadays, artists work by pushing boundaries, and Kieran Long's outlook will be an advantage."
Kieran Long himself recognizes the substantial potential that is inherent in Amos Rex, emphasizing its importance as follows:
"Amos Rex is one of the most successful and exciting new contemporary art institutions in Europe, and it is a great honour to be chosen to continue the outstanding work Kai and the team have done since 2018. It is exciting to have this opportunity to activate a public space in the heart of Helsinki at a time when the city is growing and changing. Throughout my career, I have focused on museums as public spaces, and Amos Rex, in the centre of Helsinki, has such potential to be one of Helsinki’s most important. I want people to experience Amos Rex as an extraordinary, collective experience of art, even if they might not even buy a museum ticket."