Wa House - A Harmonious Blend of Nature and Design

Perched amidst the breathtaking natural landscapes of Wakayama, Gwenael Nicolas's modern fisherman's house stands as an iconic yet unassuming testament to architectural brilliance. Set within the enchanting backdrop of Nanki-Shirahama, a national park renowned for its stunning beauty, this architectural gem seamlessly fuses with its surroundings, creating a harmonious sanctuary that embraces the wild allure of the coast.

Born on the Atlantic shores, Nicolas has drawn inspiration from his upbringing to create a house that boldly confronts nature while respecting its power. In collaboration with Haretoke Architects, every aspect of this carefully crafted dwelling has been thoughtfully considered to ensure a symbiotic relationship between the man-made structure and the untamed environment.

The design of this single-story abode is a delicate dance with nature. Its height is meticulously calculated to mirror the ocean's horizon, allowing the house to blend effortlessly into the coastal panorama. The distinctive wing-like roof, designed to withstand the fierce ocean winds, lends the structure its unique character. The wooden house delicately perches atop a concrete foundation, elevating it above the rocky terrain. In the face of storms, the waves gracefully flow beneath the concrete pillars, ensuring the house remains resilient. Its dark hues seamlessly merge with the natural surroundings and the reef's dark stone, harmonizing the built environment with the coastal ecosystem.

The extended roof serves a dual purpose, providing shade for the terraces while paying homage to the vernacular architecture of the region. Reimagined as a minimalist sculptural object, it embodies the essence of simplicity and functionality. Covered in Yakisugi, burnt cedar wood, the house takes on a rustic yet refined aesthetic, perfectly suited for its extreme location.

Undoubtedly, the house's crowning glory lies in its sweeping 180-degree ocean views. The expansive terrace seemingly floats above the sea, flawlessly merging with the living room to create a seamless transition from indoor to outdoor spaces. To emphasize this continuity, the same flooring material flows throughout the house, blurring the boundaries between nature and interior.

Throughout the house, surprising objects and artworks, reminiscent of marine treasures, punctuate the spaces. Genta Ishizuka's lacquer art above the sofa adds an exquisite touch, drawing on the beauty of the sea. The open kitchen, a monolithic centerpiece in the living room, invites residents to immerse themselves in the outside scenery while entertaining and cooking. Artistic rusty panels, created by nature itself, adorn the space, adding an organic element to the interior. With only two Japanese-style rooms, an atelier, and a spacious living room that opens generously to the ocean, the house's design ensures flexible use, be it for entertaining, tea ceremonies, or simply unwinding.

With a color palette and materials inspired by the natural environment, the house exudes warmth and continuity. From the rough-textured walls to the ceramic tiles and tatami floors, the warm gray tones evoke a sense of spaciousness and harmony. Large sliding doors seamlessly merge with the walls, dissolving the boundaries and inviting the outside in.

The bathroom, designed as a tranquil retreat within the house, immerses residents in an atmosphere of serene intimacy. An oversized suspended shade bathes the vanity area in a gentle and luminous light, offering a sense of comfort and relaxation. The lower bathtub, seemingly carved into the black stone floor, connects inhabitants with the raw sensations of nature, enhancing the house's primitive allure.

Honoring the tradition of old Japanese houses, Wa House can be completely enclosed with Yakisugi shutters, safeguarding the interior from inclement weather. Through its fusion of vernacular architecture and modern abstract archetypes, the house sparks a captivating dialogue that transcends time and culture.

PHOTO:

YASUTAKA KOJIMA / IKUNORI YAMAMOTO

GWENAEL NICOLAS

Photo courtesy of: CURIOSITY INC. & Atelier HARETOKE

Pritzker Laureate Ryue Nishizawa's Latest Masterpiece: A Meditative Timber Retreat in Karuizawa, Shishi-Iwa House

Discover the Tranquility of Hinoki House No.3, Ryue Nishizawa's Latest Architectural Masterpiece, a Meditative Timber Retreat in Karuizawa that Pays Homage to Traditional Japanese Residential Architecture and Celebrates Sustainability

Shishi-Iwa House, the collection of architectural masterpieces situated in Karuizawa, Japan, has announced the opening of SSH No.03. Designed by Pritzker Prize laureate and co-founder of SANAA, Ryue Nishizawa, the mountain nature retreat is an homage to traditional Japanese residential architecture and is Nishizawa's first hotel project. SSH No.03 joins the two other Houses in the collection, SSH No.01 and SSH No.02, designed by Pritzker Prize laureate Shigeru Ban. All three Houses are situated mere minutes from each other and form SHISHI-IWA HOUSE KARUIZAWA, with guests sharing all common facilities.

SSH No.03 is comprised of 10 pavilions interconnected by a series of engawa and garden courtyards. With only 10 guest rooms and 1 cabin villa, the retreat is exclusive and offers both Superior Rooms and Tatami Suites. Inspired by spacial transparency and the Japanese concept of negative space, Nishizawa has deliberately created empty areas through minimal furnishings and embellishments, allowing natural light to stream continuously through the rooms' windows.

Hinoki cypress wood is prominently featured throughout SSH No.03, sourced from Gifu Prefecture, Japan. Considered a sacred wood in Japan, it has been used for centuries to build shrines, temples, and palaces due to its durability and aromatic scent. Sustainability is also a top priority, with a small building footprint and the use of carbon-friendly timber sourced primarily in Japan.

The winding engawa walkway that intersects the pavilions offers in-between spaces for discovery and contemplation, with the landscape carefully constructed with over hundreds of cherry, maple, and evergreen trees. Four Japanese courtyards provide moments of stillness, completing a spiritual journey in which guests become one with nature and with themselves.

A bathhouse and tea house complement the Ma experience envisioned by the architect, with plans to offer massage, yoga, and meditation sessions. The location within the serene Karuizawa Yacho no Mori, the National Wild Bird Sanctuary, in the embrace of almost 100 hectares of lush forest, expands moments of rejuvenation, with forest bathing and special walking tours.

Guests also have direct access to all facilities at SSH No.01 and SSH No.02, including the restaurant and bar, offering fine dining options, sake, wine, and whisky tastings, and tea rituals. A collection of antique Japanese furniture and vintage mid-century modern furniture, including historically significant pieces by Charles and Ray Eames, Pierre Jeanneret, Arne Jacobsen, Borge Mogensen, Bill Max, Michael Thonet, and Bodil Kjaer, complement the House's traditional architecture.

A significant cultural heritage collection of approximately 50 original ukiyo-e woodblock prints from a dozen major artists, including Utagawa Hiroshige and Shibata Zeshin in the 1840s, and Azechi Umetaro and Sekino Junichiro in the 1960s, is on display throughout SSH No.03.

Complementing the House's traditional architecture is a collection of antique Japanese furniture and vintage mid-century modern furniture, including historically significant pieces by renowned designers. The interiors are beautifully curated with minimalist decor that creates a tranquil atmosphere, allowing guests to fully unwind and relax in luxury.

SSH No.03 offers an immersive and unique experience that combines traditional Japanese architecture, natural beauty, and modern luxury living. It is an ideal destination for families and friends to spend quality time together in a peaceful and serene environment, away from the hustle and bustle of urban life.

• Complementing the House’s traditional architecture is a collection of antique Japanese furniture as well as vintage mid-century modern furniture, including historically significant pieces by Charles and Ray Eames, Pierre Jeanneret, Arne Jacobsen, Borge Mogensen, Bill Max, Michael Thonet, andBodil Kjaer.  

• On display throughout SSH No.03 is a significant cultural heritage collection of approximately 50 original ukiyo-e woodblock prints from a dozen major artists including Utagawa Hiroshige and Shibata Zeshin in the 1840s, and Azechi Umetaro and Sekino Junichiro in the 1960s.  

You can visit: https://www.shishiiwahouse.jp

The Hotel Seiryu Kyoto Kiyomizu has conserved and re-concerned the aesthetics of Japan and design by Nomura Co., Ltd A.N.D

Hotel Seiryu Kyoto Kiyomizu is a renovation initiative that aimed to preserve and re-recognize the Japanese beauty of the former Kiyomizu Elementary School with a 90-year history in Kyoto. It will have 4 floors and 6,800 square meters in total floor area.

The Hotel is located on the mountain slope with picturesque views in a district with many historical sites including significant Kyoto cultural assets, which have been nurtured by eons of history.

The hotel's name combines two elements: Tokyo Kiyomizu, one of the world's most popular tourist destinations, and Seiryu, a legendary guardian god of Higashiyama that embodies the spirit of this one-and-only hotel built from the remnants of an historic elementary school.

There are many delicate details in the school building. The interior of the building features not only Spanish tiles, arched windows, and double-width tiles, but also decorative haunch beams, wood spandrel walls, and mosaic tile finishing.

Design by Nomura Co., Ltd A.N.D from Japan. By combining nostalgia with newness, our team made sure to pay utmost homage to western architecture. To enhance the historic details of stairs, beams, and corridors, an inorganic, black-and-white, and semi-glossy material was selected.

The Design Team converted gymnasiums and auditoriums formerly used by schoolchildren into restaurants and spas. A significant rooftop bar has been reborn on the former roof of the school building which overlooks Kyoto city. Guests can experience the old times by viewing the same Yasaka Pagoda, scenic mountains and city of Kyoto that former school children looked at.

The A.N.D team designed a space where guests can view photographs, documents, and records from the elementary school's history in order to realize the concept of "Imprint memories and connect to the future." The assemblance of spaces re-assigned with different stories creates a resounding "heritage hotel" where history, culture, and architecture come together.

This project plays an instrumental role in how we view the future for future generations, both according to the design team and the hotel. In this way, Japanese culture is passed on to them as well as their sense of regionality and sociality from their parents.

Designer Profiles

Left: 株式会社乃村工藝社 A.N.D. 小坂竜 Ａ.Ｎ.Ｄ., Nomura Co., Ltd. Ryu Kosaka

Top Left: 株式会社乃村工藝社 A.N.D. 浦田 晶平 Ａ.Ｎ.Ｄ., Nomura Co., Ltd. Shohei Urata

Top Right: 株式会社乃村工藝社 A.N.D. 安田 紘基 Ａ.Ｎ.Ｄ., Nomura Co., Ltd. Hiroki Yasuda

Lower Left: 株式会社乃村工藝社 萠抜 徹 Nomura Co., Ltd. Toru Haenuki

Lower right: 株式会社乃村工藝社 西川 裕之 Nomura Co., Ltd. Hiroyuki Nishikawa

This project won the Bronze award in the interior design division of Sky Design Awards www.skydesignawards.com in 2021.

For more information about 株式会社乃村工藝社 A.N.D, please visit:

https://www.and-design.jp/en/

Kamitopen Co. Ltd. has designed the finest architecture skills throughout history - the KAMA-ASA Shop

The Kappabashi area of Tokyo, Japan is a well known area for chefs and for those who love to cook, it is often referred to as "Tokyo's Kitchen Town.". A day spent walking through Kappabashi, Tokyo's "kitchen town," could easily be spent. Kappabashi is about 800 meters long, with about 170 specialty stores lining an 800 meter stretch of a street called Kappabashi Dougu Street, between Asakusa and Ueno area.

"KAMA-ASA" in Asakusa Kappabashi was established in 1908 by Minosuke Kumazawa. It was initially known as Kumazawa Imono Ten, but was changed to its current name, Kama-ASA. Over a century ago, Kama-Asa began to cater to the needs of chefs. Daisuke Kumazawa, who is the fourth generation owner of the company, has inherited the business and its vision. He aims to provide customers with quality tools that are well-designed. What should the shop do to stand out from its competitors and showcase its unique craftsmanship? Using a simple shape and the delicate touches of the craftsman, Kamitopen Co., Ltd Japan's head designer and architect, Mr. Masahiro Yoshida, has re-designed the shop.

A steel rebar, which is also called ribs and joints, is a roll of steel in the form of a stick used to build homes, buildings, and other structures.

Mashairo Yoshida of the KAMA-ASA Shop understands that the philosophy of the company is based on the belief that the finest tools are made with the right intentions, thus offering the finest skills of craftsmen who make kitchen utensils to their customers. 

This is why in this store's space we felt it was appropriate to display an exhibition of the architecture skills that have been displayed by craftsmen throughout history. A particular design used rebar as the main design element, despite the fact that it is usually hidden in the walls since it is usually hidden in the ceiling. The use of rebar raised the level of sophistication in the shop dramatically.

• The project won the silver award in the interior design division of Sky Design Awards www.skydesignawards.com in 2021.

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Drawing/ Planning

Designer Profiles

Masahiro Yoshida

Representative director / First Class Architect

1977 : Born in Osaka, Japan

2001 : Graduated from department of architecture,Kyoto Institute of Technology “Waro Kishi laboratory”

2001 : TAKARA SPACE DESIGN

2008 : Established KAMITOPEN architects

When organic meets structure with irregularities and margins - ARTIZON MUSEUM

Tonerico Inc was established by three Tokyo-based designers. Hiroshi Yoneya, Ken Kimizuka, and Yumi Masuko came together in 2002. Among its diverse activities, which range from architecture to interior design to furniture and product design, the company specializes in a wide range of disciplines. Their approach is to present their conceptual works both abroad and in Japan both without any particular client as an expression of their design philosophy. Designed by Tonerico: Inc., the Artizon Museum was a collaborative effort of Japanese designers. There is a space inside this museum that could be called a margin. It does not have the default purpose of location that visitors would expect, as well as elements that are intuitively perceived as uneven. There are elements in certain painting styles that facilitate the power to inspire people's creativity, such as "the way one interacts with marginal spaces" and "sensory elements." In addition to the primitive method of forming space, this is an attempt to capture the wholeness that can be found beyond connecting these seemingly aimless elements, or in other words, an organic state uniquely resulting from being irregular.

"Experiencing Creation" is the concept of the museum. Visitors can experience creativity in this space by seeing, sensing, and knowing the artworks and artists. By doing so, you can encourage them to explore various forms of creativity. It was necessary for it to embody a more intimate relationship with art that the outside of the museum would be accessible from within. Thus, the name "ARTIZON" is derived from the combination of the words "ART" and "HORIZON.". The inside of the museum must be visible from the outside to embody a more intimate relationship with art. Rather than complying with the basic principle that natural light should not be allowed inside the galleries, the idea of a visible space between the inside and outside of the enclosed space flies in the face of this fundamental principle. However, the objective was to produce a museum that would be both visually and sensually open to the city. In the Museum Tower Kyobashi, the first through sixth floors are dedicated to museums. On the three floors that make up the top floor, there will be exhibitions on display, while on the bottom floor, there will be public spaces, such as the entrance, a café, a shop, and a lecture hall.

Drawing/ Planning

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Designer Profiles

TONERICO:INC.

 Tokyo-based designers Hiroshi Yoneya, Ken Kimizuka, Yumi Masuko established their own studio TONERICO:INC. in 2002.

Kyushu Voice in Japan, Design by Jindesign Co., Ltd

In order to revitalize the economy and culture of Kyushu, Kyushu Voice aims to promote Kyushu products in Japan and around the world. As a home base for the project, this building fulfills three purposes, including serving as a new symbol of Kyushu's history and nature. It also serves as a shop selling a variety of products made in Kyushuin along with a workshop developed with local producers and citizens.

Kyushu Voice's base is located in Dazaifu, the most suitable city for this project because of its history and popularity as a central city of Kyushu. From ancient times until the Heian period, Dazaifu was the imperial office in charge of Kyushu. There are around ten million tourists visiting this historical city every year, both from inside and outside the country.

At the core of this project, it is imperative to demonstrate modern Japanese architecture that incorporates tradition and innovation. As such, it was not necessary to construct a bespoke building, but rather to renovate an existing structure with a long history. Tokyotaka Aoki, principal architect of Jindesign Co., Ltd. from Japan, chose a wooden old folk house around 100 years old that was located on Kotoriishoji. It was 2 minutes away from Dazaifu Tenmangu shrine because of its condition and location.

Moreover, Mr. Aoki designed the building to display the latest Japanese architecture and function as a shop and a community center in the area.

In keeping with the tradition of the building, the designer decided to conserve the tile roof. Aside from this, it is located along a tasteful street, so its façade needed to match the historic Dazaifu. To design its façade, Mr. Aoki drew inspiration from a traditional Japanese warehouse, "Kura". "Kura" has the character of a massive white wall of plaster, similar to the White Cube, an architectural element associated with Modernism. In addition, its traditional elements were applied to its façade design.

The designer further emphasized the modernist theme by inserting white volumes with a columnless open space, similar to the Kura pattern. A row of wooden frames shaped like gates was arranged in order to remind us of a shrine's main entrance. As a result of the construction and reinforcement of the 5.5m span columnless space, the lighting in the frames provided opportunities for people to enter.

"Kyushu Voice" is the silver winning project of Sky Design Awards 2022 in the "The New Black" architecture division,

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*The New Black is a new award designed to discover and recognise young architects and designers, or small projects such as pop-up, residential, or retail shops with project sizes up to 50m2 (540 ft²).

*The New Black entrants must be either under 38 years of age OR the project submitted must be less than 50m2 (with no age limitation).

For more information about this project, please visit: https://www.jindesign.co.jp/ or visit the www.skydesignawards.com

R100 Tokyo promotes the cross-cultural aspects of Opus Arisugawa in Japan

Through collaboration with OEO studio, With the collaboration of OEO studios, R100 Tokyo promotes Opus Arisugawa's cross-cultural aspects in Japan

Over a 100 square-meter unit has been developed by Rebita Corporation in cooperation with NTT Urban Development Corporation (Head Office: Chiyoda-ku, Tokyo; President: Junichi Kawashima.), developed within Opus Arisugawa, a leading Tokyo condominium . The unit was designed by Copenhagen, Denmark-based OEO Studio as the first residential design available for sale.

Rebita is proud to announce that they have teamed up with the design firm, OEO studio, to create a new concept for living in Tokyo. This unit has been designed according to the concepts of "CROSS-CULTURAL" and "COMPELLING MINIMALISM", and OEO Studio, long inspired by Japan, has added a new proposal based on the sensibilities of Scandinavia and Japan. 

The result is R100 TOKYO - a 100 square meter unit that provides essential living in a direct location in the heart of Tokyo through collaboration between two cultures. OEO Studio is a design company that specializes in creating products and spaces that are both compelling and minimalistic. The company's signature approach is to express a simple yet compelling narrative through the use of materials and subtle, precise details. Through this partnership, R100 hopes to promote cultural similarities between Scandinavia and Japan while observing Japan from a slightly different perspective.

About the Concept

A space that combines Scandinavian and Japanese sensibilities

Above images: A variety of natural materials are used in the design of natural spaces

Scandinavian and Japanese cultures share a sense of natural materials, and the units draw extensively on natural elements. The oil finish is given to solid wood as much as possible so that it can change even more beautifully over time. Garde Hvalsøe (also written as Garde Vels), a Danish kitchen workshop, designed and constructed the large wooden kitchen, which is the first of its kind ever to be shown to the public. As it is used more and more, the solid wood will become a symbol of the residence because it is reminiscent of Danish cabinetry from the 1950s. With this property, you will be able to experience Scandinavian and Japanese cultures at the same time, and as you live there longer, the more blessings you will reap.

Background of Planning Recent growth in the urban luxury condominium market has occurred along with the emergence of a new group of buyers, including young entrepreneurs and executives, and there is a growing demand for homes that exceed traditional values such as real estate market prices and features of homes. Located in the heart of Tokyo's city center, R100 TOKYO from Rebita International offers one-of-a-kind residences designed by numerous architects and designers in order to provide "homes that look forward 100 years". 

With the acquisition of Opus Arisugawa, a superior urban residence in terms of both location and specifications, we aim to offer a one-of-a-kind residence that will maximally express what R100 TOKYO wishes to offer, which led us to design this residence. 

Japanese people have respected nature for thousands of years, taking in the surrounding scenery and sunlight, blending it with materials that make up their homes, and experiencing the changes and beauty of the four seasons each day. With their fusion, Japanese culture and Scandinavian values would enhance and sublimate each other. The design of this unit is a collaboration between R100 Tokyo and OEO Studio, a Danish architectural firm with deep cultural knowledge of Japanese design and culture, with the goal of creating a "cross-cultural" design based on Japanese culture.

Please visit: https://r100tokyo.com/sales/akasaka-aoyama-azabu/opus3rdflooroeostudio/ for more information 

Or stay tuned with our Upcoming new publication of “One Story” for the story of R100 Tokyo.

OEO Studio has designed interiors, furniture, and products around the world, in addition to a number of projects in Japan, including the Kaikado Cafe, a collaboration with a Kyoto craftsman, as well as the interior design for the INUA restaurant in Tokyo.

Left: Thomas Lykke, Head of Design & Founding Partner at OEO Studio

Right: Anne-Marie Buemann, Managing Partner at OEO Studio