NAOMI MILGROM FOUNDATION UNVEILS DESIGN FOR MPAVILION 10 BY TADAO ANDO
The Naomi Milgrom Foundation today unveiled the design for MPavilion 10, commissioned from Pritzker Prize-winner Tadao Ando of Japan. One of the world’s leading architects, Ando’s design for MPavilion 10 reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete. MPavilion 10 will open this summer, kicking off the annual five-month design festival of free public programming in Queen Victoria Gardens, located in the centre of Melbourne. This will be the tenth MPavilion festival, which has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people this past year.
MPavilion 10 is Ando’s first project in Australia and inspires the programming for a free five-month design festival beginning in Melbourne’s summer
The Naomi Milgrom Foundation today unveiled the design for MPavilion 10, commissioned from Pritzker Prize-winner Tadao Ando of Japan. One of the world’s leading architects, Ando’s design for MPavilion 10 reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete. MPavilion 10 will open this summer, kicking off the annual five-month design festival of free public programming in Queen Victoria Gardens, located in the centre of Melbourne. This will be the tenth MPavilion festival, which has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people this past year.
Conceived as a new meeting place within Melbourne’s cultural and botanic garden precinct, Ando’s design for MPavilion encapsulates his desire to create a memorable structure that responds directly to the park setting. It strives for spatial purity, employing the geometry of circles and squares to create a space in harmony with nature. MPavilion 10 features a large canopy, a 14.4-metre aluminum-clad disc resting on a central concrete column. Two offset squares create two entrances that lead to the centre of the pavilion. Concrete walls of varying lengths partially enclose the space to create a tranquil sanctuary reminiscent of a traditional Japanese walled garden. A long (19,400mm x 225mm) horizontal opening running both the length of the north and south walls frames views of downtown Melbourne and the parklands, connecting the city and lush greenery of Queen Victoria Gardens to MPavilion's interior. The geometric forms and symmetry are reinforced by an internal arrangement that is half paved, and half reflecting pool, which mirrors the pavilion canopy, sky, city, and surrounding nature.
“The design began with a desire to create a sense of eternity within Melbourne’s garden oasis,” shared Tadao Ando. “I wanted to create an experience that will last forever in the hearts of all who visit. I imagine an architecture of emptiness, that lets light and breeze enter and breathe life into it. A place that resonates with the environment, becomes one with the garden, and blossoms with infinite creativity. MPavilion 10 is designed to encourage encounters between people, the natural world, and endless dialogue.”
"Tadao Ando’s architecture is remarkable because it radically affects the way we perceive the world around us,” said Naomi Milgrom, commissioner of MPavilion. “Like Tadao Ando, I am passionate about architecture that promotes public life and encourages social interaction, and thrilled that Australians will be able to experience directly his genius through this incredibly special meeting place for conversation, the exchange of ideas, and contemplation. We look forward to seeing how visitors, designers, artists, and others will respond to this dramatic and serene space, as well as the creativity it will generate.”
About Tadao Ando
Born 1941 in Osaka, Japan. Self-taught in architecture. Established Tadao Ando Architect & Associates in 1969. Major works include the Church of the Light, Pulitzer Arts Foundation, and Chichu Art Museum. Awarded the Architectural Institute of Japan (AIJ) Annual Prize for the Row House in Sumiyoshi in 1979, Japan Art Academy Prize in 1993, Pritzker Architecture Prize in 1995, Person of Cultural Merit (Japan) in 2003, International Union of Architects (UIA) Gold Medal in 2005, The Kennedy Center International Committee on the Arts Gold Medal in the Arts in 2010, Shimpei Goto Award in 2010, Order of Culture (Japan) in 2010, Commander of the Order of Arts and Letters (France) in 2013, Grande Ufficiale dell’Ordine della Stella d’Italia (Italy) in 2015, and Isamu Noguchi Award in 2016. Held solo exhibitions at the Museum of Modern Art (MoMA) in 1991 and Centre Pompidou in 1993. Taught as a visiting professor at Yale University, Columbia University, and Harvard University. Professor at the University of Tokyo from 1997. Professor emeritus of the University of Tokyo since 2003.
About Naomi Milgrom and the Naomi Milgrom Foundation
Naomi Milgrom AC is an Australian business leader, fashion entrepreneur, philanthropist, and arts patron with an international reputation for initiating and supporting cultural innovation. In 2020, Ms. Milgrom was awarded the nation’s highest honour, Companion to the Order of Australia, for eminent service to the community through philanthropic leadership and support for the promotion of the arts.
The Naomi Milgrom Foundation, established by Ms. Milgrom in 2014, is dedicated to bringing exceptional art, architecture, and design to the lives of all Australians. The not-for-profit organisation pivots on a central purpose—to enhance the presence and influence of creative culture in Australia. This is accomplished through the active support of artists, designers, and creative institutions, the fostering of collaborations between bodies and disciplines, the championing of art and design education, and an overarching commitment to making the arts more accessible to more people across the country. Driven by the conviction that art and design have the power to enrich the lives of individuals, nourish communities, boost economies, and improve the potential of cities. The Naomi Milgrom Foundation has become the gold standard for facilitating projects between public and private sectors.
About MPavilion
MPavilion, conceived and created by Naomi Milgrom as an initiative of the Naomi Milgrom Foundation in 2014, is Australia’s most idea-driven commissioning program and an important annual design festival. Over ten years, this ambitious program has commissioned pavilions by leading international architects, each of which has served as a unique public gathering spot in Melbourne’s historic Queen Victoria Gardens. Each MPavilion inspires a diverse range of programming during the free five-month design festival, and related commissions by designers, artists, and other creatives. At the close of each MPavilion, the Naomi Milgrom Foundation gifts the pavilion to the people of Victoria and relocates it to a new, permanent, public home where it continues to be enjoyed by the community as part of a growing collection of public contemporary architecture. In its first ten years, MPavilion has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people during the 2022-23 season and has helped build Melbourne’s reputation as the Design Capital of Australia.
Since its inception, MPavilion has been shortlisted or won more than 40 national and international design and architecture awards and commendations, including: Winner of Urban Developer Awards for Industry Excellence in the ‘Excellence in Community Engagement’ category (2021); Winner of the Good Design Awards Gold Accolade in the ‘Architectural Design – Urban Design and Public Spaces’ category (2019); Winner of the Australian Institute of Landscape Awards – ‘Landscape Architecture Award’ (2018); Designboom’s ‘World’s Top Temporary Structures for 2016’; and Winner of Detail Magazine’s ‘DETAIL PRIZE 2016’, among many others. Past architects have included: Rachaporn Choochuey, all(zone), Thailand (2022); Francesco Magnani and Traudy Pelzel, MAP Studio, Venice (2021); Glenn Murcutt, Australia (2019); Carme Pinós, Estudio Carme Pinós, Barcelona (2018), Rem Koolhaas and David Gianotten, OMA, Netherlands (2017); Bijoy Jain, Studio Mumbai, India (2016); Amanda Levete, AL_A, United Kingdom (2015); Sean Godsell, Sean Godsell Architects, Australia (2014).
Image credits: Rendering of MPavilion 10 by Tadao Ando, courtesy of Tadao Ando Architect & Associates.
Paying tribute to a pioneering designer - Nanna Ditzel (1923-2005) one of the most influential Danish designers of the 20th century
Nanna Ditzel reflects her postmodernist attitude and rebellion against tradition, which she brought to Danish design in the 1990s when she was well into her 70s. Despite her subjective starting points, Nanna had a remarkable ability to transform her artistic dreams into functional and purposeful designs that attracted worldwide attention. Her furniture designs were not only innovative but also had a contagious effect on the rooms they occupied, making people feel inspired to incorporate them into their homes.
Breaking the rules asking for imagination, motion and vision
The quote "THREE STEPS FORWARD AND TWO BACK STILL MEANS I'VE TAKEN A STEP IN THE RIGHT DIRECTION!" by Nanna Ditzel reflects her postmodernist attitude and rebellion against tradition, which she brought to Danish design in the 1990s when she was well into her 70s. Despite her subjective starting points, Nanna had a remarkable ability to transform her artistic dreams into functional and purposeful designs that attracted worldwide attention. Her furniture designs were not only innovative but also had a contagious effect on the rooms they occupied, making people feel inspired to incorporate them into their homes.
Born in Copenhagen in 1923, Nanna Ditzel was trained as a cabinetmaker before studying at the School of Arts and Crafts and the Royal Academy of Fine Arts in Copenhagen. Throughout her career, Nanna was always inspired by the challenges of new materials and techniques, which led her to experiment with split-level floor seating in the 1950s and become a pioneer in various disciplines such as fiberglass, wickerwork, and foam rubber. She even designed the world's most renowned furniture textile, "Hallingdal," for Kvadrat.
From 1968 to 1986, Nanna lived in London and established the international furniture house Interspace in Hampstead. In 1989, she became closely connected with Fredericia, which led to a successful partnership resulting in the Trinidad chair, marking a turning point in Fredericia's history. Nanna Ditzel's uncompromising approach to design continues to influence Fredericia's culture and product development to this day.
For Nanna Ditzel, the aesthetics of the chair were just as important as its function. She believed that a chair's appearance should combine well with the person who sits in it and that some chairs look like crutches, which she disliked. Throughout her life, Nanna was awarded numerous prizes, including Denmark's highest design honor, the ID-prize in 1995 for "Trinidad," and the Gold Medal in the International Furniture Design Competition in Japan in 1990 for "Bench for Two." In 1998, she was awarded the lifelong Artists' Grant by the Danish Ministry of Culture, and she was also elected as an Honourable Royal Designer at the Royal Society of Arts in London in 1996. Nanna Ditzel's legacy lives on as one of the most renowned Danish designers, whose innovative and functional designs continue to inspire and influence the world of modern design.
Fredericia pays tribute to Nanna Ditzel - The grande dame of Danish design
Celebrating the 100th anniversary of Nanna Ditzel’s birth, the Danish design brand Fredericia pays tribute to their former main designer - a pioneering woman considered to be one of the greatest Danish designers of the 20th century - with a limited edition launch and new colours added to Ditzel’s most popular chair through time.
Breaking the rules asking for imagination, motion and vision
Fondly known as the “grande dame of Danish Design,” Nanna Ditzel (1923-2005) was one of the most creative, influential, and versatile Danish designers whose style never stopped evolving throughout her more than 60-year career.
Ditzel was a woman who challenged the comme il faut of design and succeeded in leaving an enduring dash of poetic lightness and artistic innovation in the Danish design tradition having deservedly positioned herself in the history due to her many striking and innovative designs across centuries and disciplines.
Being a generation after legendary architects and designers like Børge Mogensen and Hans J. Wegner, Ditzel also studied under the master architect and designer Kaare Klint at the Royal Academy of Fine Arts after graduating as a cabinetmaker and while studying as a furniture architect at the School of Arts and Craft. Even though schooled by Klint and his modern functionalism, Ditzel quickly broke out of the strict and formal design rules going for poetic and sculptural shapes rejecting the “masculine” ideals in favour of softness and rounded shapes. Experimenting with intense colours, new materials and the norms of space and design, she was challenging traditional thinking with her prolific output throughout decades. Leaving a clear mark on both private homes and public spaces and making her a distinctive voice and one of the most accomplished Danish designers spanning over 60 years as a designer from furniture and jewellery to silverware, glass and textiles being the first woman to design for Fredericia, Kvadrat and Georg Jensen.
In a strongly male-dominated furniture industry, Ditzel claimed her place. Together with her fellow student and later husband, Jørgen Ditzel, she already participated in the Carpenters Guild’s annual exhibitions during her studies as a furniture architect at the Royal Academy of Fine Arts. After graduating in 1946, they establish their own design studio. Ditzel challenged the design orthodoxy and became a leading figure in the renewal of Danish design and the functionalist design traditions in the 1960s. As part of the new generation, including her husband and Verner Panton, they all distanced themselves from the general perception of good taste in Danish design, creating avant-garde furniture as space-forming architectural elements. Demanding imagination and vision, Ditzel’s designs were sculptural, experimental, and organic, with nature being a continuous source of inspiration.
When Nanna’s long-time husband and design partner, Jørgen Ditzel, passed away, she reinvented herself as a solo designer exploring new materials and designs. In 1968 Ditzel diversified again when she moved to London. While running her design studio, she also ran the acclaimed Hampstead store Interspace gallery with her second husband, furniture dealer Kurt Heide, owner of the eponymous design shop Oscar Woollens on Finchley Road. Being a first mover importing international design, Interspace was a gathering place for global design names.
Blue Bottle Zhang Yuan Cafe design by Neri&Hu
The most famous garden in Shanghai, Zhang Yuan, developed into one of the earliest public and commercial spaces in modern China, exemplifying and leading the emergence of a new Chinese urban lifestyle at the end of the 19th century. After a complete rehabilitation of Zhang Yuan's historic buildings, Blue Bottle commissioned Neri&Hu to create a retail space within one of the old Shikumen typology residences in 2022. In Shanghai, coffee initiates a dialogue between the city's rich history and its contemporary social landscape.
The most famous garden in Shanghai, Zhang Yuan, developed into one of the earliest public and commercial spaces in modern China, exemplifying and leading the emergence of a new Chinese urban lifestyle at the end of the 19th century. After a complete rehabilitation of Zhang Yuan's historic buildings, Blue Bottle commissioned Neri&Hu to create a retail space within one of the old Shikumen typology residences in 2022. In Shanghai, coffee initiates a dialogue between the city's rich history and its contemporary social landscape.
Amidst the architectural relics of Zhang Yuan, where the city’s collective memory resides, one can imagine this scene described by Chinese writer Mu Xin - people scattered about in the shadowy lanes of Shanghai at sunset like tiny crabs scurrying in and out of their sandy shelters. In this vast network of alleys, people carried on about their daily lives, but there was always time for leisure for the Shanghainese. Both locals and visitors can enjoy Neri&Hu's narrative journey by capturing the spirit of the local urban fabric.
The existing brick walls, doors, and windows of the original architectural façades and atriums are preserved according to historic preservation guidelines. This leaves them as a continuous backdrop for the addition of new design elements. A primitive shelter forms the visual and circulatory focal point of the project; it is where coffee is prepared and served, and represents a return to the origins of architecture. An elongated space connects the main street to the atrium along the old building's exterior wall. As a nod to the leisurely social moments of life in Shikumen, this alley-like building space includes benches and small tables against the windows and walls.
Neri&Hu studied the structure and its tectonic joinery meticulously to make it as light as possible, in contrast to the heavy palette of the existing architecture. Stainless steel is used for the roof structure while perforated and bent steel is used for the roof surface, reflecting the surroundings subtly and fuzzy. Neri&Hu also were inspired by the informal construction and simple attachments that people once used to extend their private spaces into the alley, so the existing structural columns are commandeered with metal rods and small platforms that serve as light rails, benches, side tables, and objects. This project incorporates repurposed traditional old furniture, whose traces of time impart a sense of warmth and familiarity, merging the old and the new, Blue Bottle and Shanghai.
Primitive Shelter
Blue Bottle Zhang Yuan Cafe
Site Address: W5-1A, 240 North Maoming Road, Jing'an District, Shanghai, China
Completion: November 2022
Client: Blue Bottle Coffee
Project Type: Interior
Program: Cafe
Gross area: 175 sqm
Partners-in-charge: Lyndon Neri, Rossana Hu
Associate-in-charge: Qiucheng Li
Design team: Jiaxin Zhang, Xi Chen, Peizheng Zou, Shangyun Zhou, Greg Wu, Luna Hong
Interior design: Neri&Hu Design and Research Office
FF&E design and procurement: Design Republic
General contractor: Blue Peak Image Producing Co., Ltd
Photos: Zhu Runzi
(BODW) Business of Design Week 2022 Summit Presents ‘Design for Change’
Celebrating its 20th Anniversary, Business of Design Week 2022 Summit Presents ‘Design for Change’, Driving Innovation Amid Uncertainty
From 28 November to 3 December, join Asia’s premier annual event on design, innovation and brands for illuminating conversations with global creative leaders. Headlining BODW 2022 are Chi Wing Lo, Richard Hutten, Ross Lovegrove, Nikki Gonnissen, Rossana Hu, Bill Bensley, Sylvain Roca; more to be announced Speakers to fly in from the Netherlands, UK, France, Thailand and around the world for the first time since 2018
Celebrating its 20th Anniversary, Business of Design Week 2022 Summit Presents
‘Design for Change’, Driving Innovation Amid Uncertainty
From 28 November to 3 December, join Asia’s premier annual event on design, innovation and brands for illuminating conversations with global creative leaders. Headlining BODW 2022 are Chi Wing Lo, Richard Hutten, Ross Lovegrove, Nikki Gonnissen, Rossana Hu, Bill Bensley, Sylvain Roca; more to be announced Speakers to fly in from the Netherlands, UK, France, Thailand and around the world for the first time since 2018
On the occasion of its 20th anniversary, Business of Design Week (BODW) 2022, Asia’s premier annual event on design, innovation and brands, will make a grand return from 28 November until 3 December. Since 2002, BODW has gathered the most sought-after creative leaders in the world, with a host of concurrent design-related initiatives that have made BODW one of Hong Kong’s most anticipated events. BODW has also strengthened collaborations across borders, joining forces with 13 partner countries and cities in the last 20 years.
This year’s BODW Summit will welcome international speakers from UK, France, Thailand, Japan, Korea, as well as from the Netherlands, BODW’s Strategic Partner for 2022.
Creative Solutions for Addressing the World’s Most Pressing Challenges
The theme ‘Design for Change’ highlights the vision and leadership needed for design to become a force for good as well as the key movements and trends defining the future. Now on its 20th year of gathering some of the world’s most compelling and insightful leaders, creatives, and pioneers, the BODW 2022 Summit focuses on five main pillars, namely Brand Transformation, Culture and the City, Metaverse and
Metaliving, New Urban Models, and Social Design Innovation. Global business and design leaders representing some of the world’s most innovative brands will share their insights on upcoming trends to help businesses brave new changes with a design mindset.
As the 2022 summit’s Strategic Partner, the Netherlands, celebrated for its iconic design movements and circular innovation, and CreativeNL, the country’s platform for creative pioneers, brings some of its most celebrated design talents such as Nikki Gonnissen (Co-founder, Thonik) and Dr Koen Olthuis (CEO, Waterstudio.NL) among others to Hong Kong, participating in key conversations on designing climate-resilient communities, milestones in modern design, and more.
Featuring global speakers both in-person and virtually, BODW 2022 Summit includes physical events at M+ Grand Stair, with highly-anticipated panels broadcast on ViuTVsix at 8:00pm–10:00pm from 30 November to 2 December, with the full programme livestreamed on bodw+ and on social media platforms to provide full access to an international audience.
Among the BODW 2022 Summit’s speakers are:
Joining live in-person to interact with BODW participants:
Bill Bensley, Founder & Creative Director, BENSLEY (Thailand)
Tina Chao, Chief Marketing & Digital Customer Experience Officer, Marketing, McDonald’s Hong Kong (Hong Kong)
Nikki Gonnissen, Co-founder & Director, Thonik (The Netherlands)
Aaron Lau, Founder & CEO, Gusto Collective (Hong Kong)
Chi Wing Lo, Founder, DIMENSIONE CHI WING LO (Italy)
Dr Koen Olthuis, CEO Architect, Waterstudio.NL (The Netherlands)
Adeline Ooi, Director Asia, Art Basel (Hong Kong)
Paul Priestman, Chairman & Creative Director, Puli Innovations Shanghai (UK)
Sylvain Roca, Founder & Director, Atelier Sylvain Roca (France)
Guy Salter OBE MVO, Chairman, London Craft Week (UK)
Dr Paul Thompson, Vice-chancellor, the Royal College of Art (UK)
Yves Ubelmann, Co-founder & President, Iconem (France)
Thomas Widdershoven, Co-founder & Director, Thonik (The Netherlands)
Michael Young, Founder, Michael Young Studio (Hong Kong)
Joining virtually from around the world:
Emma Chiu, Global Director, Wunderman Thompson Intelligence (UK)
Deng Chao, Head of Product & Design, Xiaohongshu (Mainland China)
Rossana Hu, Founding Partner, Neri&Hu Design and Research Office (Mainland China)
Richard Hutten, Designer & Founder, Richard Hutten Studio BV (The Netherlands)
Chul Bae Lee, Head of Design, LG Electronics (Korea)
Ross Lovegrove, Founder, Lovegrove Studio (UK)
Marthijn Pool, Co-founder, Space&Matter (The Netherlands)
Tong Huiming, Professor, Guangzhou Academy of Fine Arts (Mainland China)
Cited in Chief Executive John Lee’s 2022 Policy Address as one of the globally acclaimed platforms fostering the development of the arts, cultural and creative industries, BODW is a major annual event organised by Hong Kong Design Centre (HKDC), supported by Strategic Partner, the Netherlands, and its platform for creative pioneers, CreativeNL; together with Create Hong Kong (CreateHK) of the Government of the Hong Kong Special Administrative Region (HKSAR Government) as the Lead Sponsor.
An accredited event celebrating the 25th anniversary of the establishment of the Hong Kong SAR, BODW 2022 is co-organised by Hong Kong Trade Development Council, with support from Strategic Regional Partner,Guangzhou Design Week; Strategic Cultural Partner, M+; Strategic Business Partners, Brand Hong Kong, Dutch Chamber of Commerce in Hong Kong and Invest Hong Kong (InvestHK); and Strategic Programme Partners, Hong Kong Design Institute (HKDI), PMQ and the Hong Kong Polytechnic University School of Design (PolyU Design).
As well as having some of its selected highlight sessions broadcast on ViuTV, the BODW Summit will be livestreamed for free on bodw+, the digital design knowledge platform envisioned to become Asia’s leading online design portal, featuring evergreen year-round content on seminal design trends. To join the BODW Summit, register for free to become a bodw+ Basic member, or upgrade to Plus or Corporate Membership for exclusive ticket discounts for physical events, as well as access to on-demand content and other exclusive offers.
Stay tuned for more information on the BODW 2022 Summit as more speakers and exciting additions to the programme will be announced at 2022.bodw.com, and register to become a bodw+ member now.
About Hong Kong Design Centre (www.hkdesigncentre.org)
A non-governmental organisation registered in 2001 and established in 2002, Hong Kong Design Centre (HKDC) is a strategic partner of the HKSAR Government in establishing Hong Kong as an international centre of design excellence in Asia. Our public mission is to promote wider and strategic use of design and design thinking to create business value and improve societal well-being.
The year 2022 marks our 20th Anniversary, where we will celebrate with a series of activities under the theme ‘Design for Sustainable Community’.
About Business of Design Week (2022.bodw.com)
Asia’s premier annual event on design, innovation and brands since 2002, Business of Design Week (BODW) organised by Hong Kong Design Centre (HKDC) gathers some of the world’s foremost design masters, brand leaders and entrepreneurs from Hong Kong as well as overseas, driving discourse on the value of design and innovation to inspire global audiences and explore new business opportunities.
About Create Hong Kong (www.createhk.gov.hk)
Create Hong Kong (CreateHK) is a dedicated office set up by the Government of the Hong Kong Special Administrative Region in June 2009 to spearhead the development of creative industries in Hong Kong. From 1 July 2022 onwards, it is under the Culture, Sports and Tourism Bureau. Its strategic foci are nurturing talent and facilitating start-ups, exploring markets, and promoting Hong Kong as Asia’s creative capital and fostering a creative atmosphere in the community. CreateHK sponsors HKDC to organise Business of Design Week (BODW), BODW City Programme, DFA Awards, Knowledge of Design Week, Fashion Asia Hong Kong, Design Incubation Programme and Fashion Incubation Programme, among other projects, to promote Hong Kong design.
Today marks the unveiling of Designart Tokyo, which will take place on October 21 - October 30, 2022
At DESIGNART TOKYO, one of Japan’s largest design and art festivals, leading creators in various genres (art, design, interior design, fashion, etc.) converge in Tokyo, one of the world’s most culturally diverse cities, to hold exhibitions across the city. The entire district will be turned into a museum, bridging invaluable encounters and inspirations through interaction with creators. With “TOGETHER” as this year’s theme, DESIGNART will continue to promote design and art from Tokyo to the rest of the world as an international event.
Leading creators from all genres (art, design, interior design, fashion, etc.) converge in Tokyo, one of the world's most cosmopolitan cities, to hold exhibitions across the city during DESIGNART TOKYO. Through interaction with creators, the district will be transformed into a museum, connecting valuable encounters and inspirations. DESIGNART will continue to promote design and art from Tokyo to the rest of the world with "TOGETHER" as this year's theme.
NEXT CIRCULATION - Sustainable & Technology
Participating creators : Taiwan Design Research Institute, Landloop × GELCHOP / BCXSY, Orna Tamir Schestowitz, Yuma Kano, Ryuichi Kozeki, OKURAYAMA STUDIO × KAARON STUDIO, Hiroto Yoshizoe, 3710Lab × Sae Honda, Satoshi Itasaka
Manufacturing and sustainability initiatives are being proactively taken worldwide in various fields to achieve the SDGs toward a sustainable society. In addition to developing materials and technologies, building relationships with partners and educating the next generation are likely to be the keys to producing high-demand, popular products. Considering this, DESIGNAT TOKYO 2022 will present the NEXT CIRCULATION, a sustainability- and technology-themed exhibition, featuring initiatives by leading corporate brands and creators, as well as a selection of inspiring exhibits that contemplate “beyond” recycling and upcycling. Satoshi Itasaka, a designer in the fields of architecture, product, and art, who also works on upcycling, will take charge of the spatial design.
COOPERATION:
NOMURA MEDIAS Co.,Ltd. PANECO® (WORKSTUDIO Corporation), Musashi Paint Holdings Co.,Ltd.（Bio Based Paint）, GLORY CO., LTD., remare,inc.
The “Printed Sculpture” art project of LAND LOOP, a brand known for its naturally derived plastics developed by Toyoshima & Co. Ltd., will feature work by GELCHOP and BCXSY. The Taiwan Design Research Institute (TDRI), Taiwan’s design promoter, will present a special edition of “the SP!RAL” for DESIGNART TOKYO. Israeli designer Orna Tamir Schestowitz designed organically shaped ceramic vessels, and superimposed on the manmade object photographic images of the bounty of the Israeli earth. She has transformed the age-old medium of ceramics by an inspired application of modern techniques. Spatial designer Hiroto Yoshizoe will exhibit “Orbit,” a new lighting work first presented in Milan, which features shades made from 100% recycled glass of waste CRTs and fluorescent tubes.
DESIGNART GALLERY at Hz SHIBUYA : New Platform with Asian Design
Participating creators : messagingleaving（UNDER 30）, Karyn Lim（UNDER 30）, SDANLEY DESIGN WORKS, quantum × Stratasys Japan, ADAM from SOZAI CENTER（ KOMORU Ltd. ・M&T）
DESIGNART believes that the time has come for Asia, with its strong economic growth rate and emerging cultural center, to take the lead in terms of creativity as well as technology. To this end, this year we will present DESIGNART GALLERY, a collective exhibition focusing on Asian creators, as a steppingstone to a new platform for building more friendly and progressive relationships with other Asian countries. The exhibition will be held at the newly established Hz, an event space with an eye-catching glass facade in the cultural hub of Shibuya.
The Taipei-based creative practice messagingleaving, led by Chialing Chang (UNDER 30), will present the lighting and mirror collections that uncover diverse expressions of brass and stainless steel. Karyn Lim (UNDER30) will be exhibiting Transformation Bags, a play on geometry to create sculptural forms that can transform into a flat object. In "mitate" project by quantum × Stratasys Japan, images of unique bowls were generated by seeing everything as a bowl with an AI, we then designed 3D data of bowls based on the images and 3D printed. Interior products made by new material “ADAM”, established by KOMORU Ltd. and M&T, a product design studio, utilizing apple pomace from the apple juice and cider.
Designer SDANLEY SHEN, will be exhibited the "The Bender", made in collaboration with the warp of wood, which is the wood's natural state and people can feel more warmth of this work.
「KAISU」 Furniture by featured Creators
Participating creators : Ishinomaki Laboratory（Keiji Ashizawa, Kenji Ito, Wataru Kumano, Koichi Suzuno, Naoki Terada, Nicolaj Friis Nøddesbo, Shigeki Fujishiro）、Shinnosuke Harada/ Junichi Ishigaki/ Ryo Suzuki、NAMAIKI / Mai Suzuki
The exhibition will feature a collection of furniture works with innovative and adventurous designs at KAISU, a former Japanese-style restaurant in Akasaka, which has been renovated as a new space. In the last 11 years, Ishinomaki Laboratory, founded by architect Keiji Ashizawa, has gained recognition and its concept has spread throughout the world. This time, returning to its roots, seven architects and designers held a workshop with craftspeople in Ishinomaki, and designed unique pieces under the theme of Ishinomaki Home Base. The results of the workshop will be presented in the form an exhitibition of furnitures and products under the title “7 designers, 2 days at Ishinomaki Laboratory”.
Three tables, explored by three designers, Shinnosuke Harada/ Junichi Ishigaki/ Ryo Suzuki, are exhibited under the theme of an easily portable "ibasho". Mai Suzuki will exhibit innovative works that create undiscovered(MICHI) possibilities for the traditional craft of "Kumiko". Through a fusion of craftsmanship and technology, she transformed kumiko flats into a hemispherical. The café and bar at the venue will be a lively spot for creators to gather during the exhibition.
Venue : KAISU 6-13-5, Akasaka Minato-ku, Tokyo
ITOCHU SDGs STUDIO: 「Regeneration and circulation」
Participating creators : Konel、Ao. 、Studio POETIC CURIOSITY
ITOCHU SDGs STUDIO will serve as a space which various NGOs, NPOs and other organizations involved with the SDGs can use to communicate information about their activities and as a space where individuals have the opportunity to engage with the SDGs in their own way, allowing various plans to unfurl and take shape.
This time, the artworks of three creators will be exhibited which are born from the concept of “Regeneration and circulation”. Konel will exhibit clogs made from discarded clothing. Even if the teeth wear out, they can be replaced and continue to regenerate semi-permanently. “Ao.” sustainable indigo-dyed furniture project will present “Ao.Re:,” furniture upcycled from discarded wooden furniture and solid wood lumber. With the theme of “regenerating touch and feel,” Studio POETIC CURIOSITY will showcase “Fabric Record,” a phonograph record made from used and discarded textiles to enjoy sounds made from fabric.
Venue：ITOCHU SDGs STUDIO
2-3-1, Itochu Garden B1F, Kita-Aoyama, Minato-ku, Tokyo
Hibiya OKUROJI: Diverse works, from interior goods to cutting-edge art, under the 100-year-old viaduct
Participating creators：Takaya Mic Mitsunaga (UNDER 30) , Nina Nomura (UNDER 30) , Sohma Furutate (UNDER 30), nooca, Maruhei Timber × tossanaigh
Hibiya OKUROJI is located between Hibiya and Ginza, where the impressive brick bridge arches are still in use after more than 100 years. The 300-meter-long space will host a variety of artworks, from interior design to works by cutting-edge artists. In a large space of approx. 130 square meters, the Berlin Wall online project, organized by DESIGNART TOKYO’s UNDER 30 artist Takaya Mic Mitsunaga, will appear under the title BERLIN WALL TOKYO. Another UNDER 30 artist, Nina Nomura, will exhibit Life Through Holes, a work that questions the true richness of the relationship between objects and people by filling the surface of objects with tiny holes. Sohma Furutate (UNDER 30), will exhibit the interior elements "MASS -2022-", seems to have an irregular appearance, but the forms that emerge by capturing all the elements of surface transitions , depth and shading are a more "human" way of seeing things as a sensual perspective.
Other exhibitions include new flower vases and objects from the “form” collection of nooca, a brand launched this year. Maruhei Timber, which recovered from the 2011 earthquake with the help of many supporters, will display its Miyagi Terroir Kitchen created with the design unit tossanaigh to promote resource recycling, a pressing challenge faced by Japan‘s forestry industry. Visitors can also enjoy sales and events during the exhibition.
Perrier-Jouët & Garance Vallée - “Planted Air,” a collaboration artwork, will be exhibited in Japan ahead of the world
Perrier-Jouët, the French prestige Champagne house, releases the world premiere in Japan of a collaborative artwork, “Planted Air,” created for Perrier-Jouët with French artist, architect, and designer Garance Vallée.
This work expresses the dialogue between the two pillars that support the Maison Perrier-Jouët: art and nature. Reinterpreting the ecology of the Perrier-Jouët vineyard, the work's extensive use of curves and arabesques represents Art Nouveau from a contemporary perspective. The materials chosen are unique and artisanal, and the solid, hand-carved limestone blocks evoke the terroir of Champagne. The wrought iron, which was painstakingly forged by craftsmen, is reminiscent of the main gate of the Maison Belle Epoque in Epernay.
Venue：ISETAN SALONE TOKYO MIDTOWN, Galleria
1F Promotion Space 9-7-4, Akasaka, Minato-ku, Tokyo
Period：10/19（Wed.）～11/1（Tue.）2022
SANLORENZO JAPAN meets Kazuto Imura
Pre-launch of SANLORENZO JAPAN, the world’s leading Italian yacht brand by internationally renowned designers including Piero Lissoni
Coinciding with the pre-launch of SANLORENZO JAPAN, artist Kazuto Imura’s solo exhibition “Æ/æ” will be held at MA5 GALLERY, which will serve as a platform for SANLORENZO JAPAN’s Art & Design. For the first exhibition there, Imura has created mirrors that “do not reflect yourself.” Through examining materials and techniques that have been used in mirror production, he relives the history of the human-mirror association. The title “Æ/æ” was inspired by the technique he used with a focus on the mirror construction, where he superimposes the phenomenon caused by the materials’ composite nature during the mirror-making process onto a reflected image. Please enjoy this fantastic space formed by mirrors.
Material and technical cooperation : UNOU JUKU by AGC Inc. Makership Inc.
Venue：MA5GALLERY by SANLORENZO JAPAN
5-10-17, Minami-Aoyama, Minato-ku, Tokyo Curated by DESIGNART
Period：10/21（Fri.）～11/28（Mon.） Closed on Wednesdays
teamLab, Continuous Life and Death at the Now of Eternity at VOLVO STUDIO AOYAMA
Volvo Studio Aoyama will display Continuous Life and Death at the Now of Eternity by the art collective teamLab. This will be exhibited in conjunction with another art exhibition by teamLab and sponsored by Volvo Car Japan, VOLVO teamLab: A Forest Where Gods Live. It is held at Mifuneyama Rakuen in Kyushu, where the vast forest, megaliths, caves, and other natural features of Mt. Mifuneyama, become art in themselves. The exhibition will allow visitors who are unable to travel to Kyushu to see this installation at Volvo Studio Aoyama, where flowers continuously bloom and perish, to experience the continuity of life seen over a long span of time.
Venue： VOLVO STUDIO AOYAMA 3-3-11, Kita-Aoyama, Minato-ku, Tokyo.
Period：7/15（Fri.）～11/6（Sun.）2022
teamLab, Continuous Life and Death at the Now of Eternity © teamLab
A space where fashion and art blend with each other
Prada presents the exhibition “Who the Bær”
Period：10/15（Sat.）2022 ～1/30（Mon.）2023
Venue：Prada Aoyama 5-2-6 Minami Aoyama, Minato-ku, Tokyo 5th floor
Prada presents the exhibition “Who the Bær” by Simon Fujiwara, organized with the support of Fondazione Prada, at Prada Aoyama. “Who the Bær” is a cartoon character created by the artist that takes inspiration from fairy tales, fantasy literature, animation and the exhibition explores a plurality of topics belonging to different realms: from the climate collapse to cultural appropriation, from plastic surgery to Pop-art through the coming-of-age story of ''Who the Bær".
“Visitors" by Chrisitan Hidaka & Takeshi Murata
Christian Hidaka (b. 1977, Chiba, Japan, lives and works in London, UK) and Takeshi Murata (b. 1974, USA, lives and works in Los Angeles) will hold the co-exhibition Visitors at Maison Hermes Forum in Ginza. Through the worlds of these two artists, who continue to create works that interrogate the space between reality and fiction, the exhibition will highlight the fictional structure seen in contemporary art through two narratives.
Period：10/21（Fri.）2022～1/31（Tue.）2023
Venue： GINZA MAISON HERMÈS Le Forum 5-4-1 Ginza, Chuo-ku, Tokyo
Ayame Ono at PERVERZE THE EMBODIMENT STORE
Established in Tokyo in 2016 by an anonymous collective of young creatives, PERVERZE is both a fashion brand and a project, will have a collaborative exhibition with artist Ayame Ono at PERVERZE THE EMBODIMENT STORE, which opened in March 2022. While utilizing thestructure of the store, this exhibition will incorporate PERVERZE's archive of textile patterns and materials created up until now, forming a collage of works where various layers intersect.
Venue：PERVERZE THE EMBODIMENT STORE 5-5-1, Minami-Aoyama, Minato-ku, Tokyo
Experience of Technology x Art
Metaverse Boundary
The metaverse, such as digital twins, is a recent hot topic. What would people do if a metaverse city is shrouded in darkness? What is it like if a mirror exists physically at the boundary of the virtual and real? This is an experimental artwork by ExMetaClub x TV Asahi, which considers the viewer’s (avatar’s) experience and behavior in the metaverse space itself as the artwork. “The gorgeous and light-filled METAVERSE ROPPONGI” will be turned into the “Black METAVERSE ROPPONGI” for a limited time. This interactive artwork is simultaneously exhibited physically and virtually. *The exhibit will tour different locations.
Period：10/28（Fri.）～10/30（Sun.）2022 How to participate: Real Space ／ANB Tokyo 3rd floor 5-2-4, Roppongi, Minato-ku Tokyo
Virtual space ／ METAVERSE ROPPONGI
MedicalArt Turning your Health Condition into Art from Medical Data
Medical Art is produced by five creators with diverse backgrounds (designer, planner, engineer, graduate school lecturer, etc.). The data they collected themselves (e.g., facial expressions, behaviors, and health information) are combined and redefined based on modern medical data to create an artwork of the inner self. “Medical Data x Art” will offer an opportunity to learn about the unknown inner self and to improve wellbeing. At the venue within patisserie UN GRAIN shop, renowned for MIGNARDISES (bite-sized sweets), visitors can purchase sweet treats while enjoying an artistic vibe.
Venue：UN GRAIN | Premiere Building 1F, 6-8-17 Minami-Aoyama, Minato-ku, Tokyo
This special venue happened to be decorated by Japanese creators, as Ambientec sponsored the adorning of the venue with 120 TURN+ lamps, designed by Nao Tamura, while plant artist Satoshi Kawamoto took charge of table-top decorations. Stemming from this, the first collaborative installation with Kawamoto will be exhibited in TOKYO. ( Directed by Nao Tamura, Venue provided by SEMPRE DESIGN)
INTERIOR
New collections and presentations by interior brands
Venue： FLEXFORM TOKYO 6-4-10, Minami-Aoyama Minato-ku, Tokyo
2022 NEW COLLECTION【AMBROEUS】
FLEXFORM 2022 NEW COLLECTION
In a relentless pursuit of the beauty that breathes in our everyday life, the 2022 NEW COLLECTION of FLEXFORM has further evolved through the refinement of its graceful sense of beauty, not being influenced by trends or self-satisfaction. The global flagship store FLEXFORM TOKYO in Minami Aoyama offers not only new products, but also sofas, armchairs, tables, chairs, cabinets, and other comfortable furniture for daily use.
FOCUS / YUJI OKITSU at ROYAL FURNITURE COLLECTION
Venue： ROYAL FURNITURE COLLECTION SHOWROOM 2-12-4 Sakamoto Bldg. 1 F Kita-Aoyama, Minato-ku, Tokyo
The lighting piece FOCUS, designed by Yuji Okitsu and commercialized by the French lighting brand DCW éditions PARIS, will be exhibited in the Tokyo showroom of the Royal Furniture Collection. The original FOCUS was exhibited by Yuji Okitsu for the first time worldwide at Milano Salone Satellite 2018 and domestically at AXIS during DESIGNART TOKYO 2018. It was presented as an interior object hung from the ceiling like a mobile, combining multiple thin and light flat lenses and LED lights. By re-focusing on and re-composing the existing elements such as light, air, and scenery, FOCUS continually creates a new scenery responding to subtle ambient changes in the space. This time, the details of "FOCUS" have been reconsidered and refined to create a new lighting work that is even more sophisticated and conceptual than the original.
ARIAKE with LE KLINT / Bang&Olufsen / BELAIR LAB
Venue： #103 4-1-15 Minami-Aoyama , Minato-ku, Tokyo
Ariake, a furniture brand founded by Legnatec and Hirata Chair, two factories from the furniture producing town of Morodomi in Saga prefecture, will present its new collection for 2022 in collaboration with LE KLINT, Bang & Olufsen and BELAIR LAB.
"DISSECT" Satoshi Kawamoto × Ambientec
Period：10/28（Fri.）～10/30（Sun.）2022
Venue：LIGHT BOX STUDIO AOYAMA 5-16-7, Minami-Aoyama Minato-ku, Tokyo
This year's The Salone del Mobile.Milano’s Gala Dinner, celebrating the 60th anniversary, was held as a private dinner on the rooftop of Santa Maria delle Grazie, the church known for its depiction of Leonardo da Vinci's masterpiece "The Last Supper". This special venue happened to be decorated by Japanese creators, as Ambientec sponsored the adorning of the venue with 120 TURN+ lamps, designed by Nao Tamura, while plant artist Satoshi Kawamoto took charge of table-top decorations. Stemming from this, the first collaborative installation with Kawamoto will be exhibited in TOKYO. (Directed by Nao Tamura, Venue provided by SEMPRE DESIGN)
PATIO PETITE at GINZA innit
Venue： GINZA innit 7-10-1 2F, Ginza, Chuo-ku, Tokyo
A special outdoor furniture exhibition of PATIO PETITE will be held at “upstairs outdoor living,” a lifestyle store on the 2nd floor of “GINZA innit” run by Sugita Ace. On display will be the PATIO PETITE WA Series by TORAFU ARCHITECTS Inc., developed with Sugita Ace, and the PATIO PETITE MA Series by SUPPOSE DESIGN OFFICE. A variety of plants from FUGA will also fill the space
ART
Enjoy art in the city in autumn, from interactive installations to established galleries
FEEL HOTEL TOGETHER at all day place shibuya
Directed by A Green’s Scenting Designer MEGUMI FUKATSU, “FEEL HOTEL TOGETHER,” an installation themed on the merging and connection of the five senses, will be held at all day place shibuya. A diverse group of next-generation designers and artists will come together to create works of art. Besides exhibits at the reception and in guest rooms, there will be exhibition rooms for visitors to stay overnight. Experience of “sensory mariage” with professionals of taste will also be provided at coffee stand, beer bar and dining in the hotel.
Venue：all day place shibuya 1-17-1, Shibuya, Shibuya-ku Tokyo
Rooms for exhibiting artworks (Open to the public): 1 room （12:00～19:00）
Rooms for exhibiting artworks (overnight stay possible, reservation required). ：3rooms
Other exhibitions: hotel reception on 2F, café on 1F, restaurant on 2F. Accommodation reservations and other enquiries：https://www.uds-hotels.com/all-day-place/
Julian Opie at MAHO KUBOTA GALLERY
MAHO KUBOTA GALLERY, located in Jingumae, an area of cultural crossover where Harajuku and Aoyama in Central Tokyo, will hold a solo exhibition of new paintings and new animations featuring “Dance", by Julian Opie, one of the UK’s leading contemporary artists today. Opie uses pictograms and simple drawings and coloring reminiscent of anime to simplify the main artistic motifs of ancient times, such as landscapes and the human figure. This style of expression that employs minimal detail is continuing to garner support in both the art world and the broader cultural scene. Julian Opie will be visiting Japan for this exhibition.
Venue：2-4-7 Jingumae Shibuya-ku Tokyo Japan Period：10/21（Fri.）～11/26（Sat.）2022
Julian Opie. Dance 1 figure 1 step 2. 2022.
Vinyl on aluminium stretcher. 210 x 100 cm
The Future Eternal
A Lighthouse called Kanata, a contemporary art gallery that introduces Japanese artists to the world, is bringing together works by up-and-coming artists in The Future Eternal exhibition. Rather than following the transient trends of contemporary art, the highlight of the exhibition is the universal yet progressive abstract works that connect the past and the future. The exhibition will feature ambitious three-dimensional and two-dimensional works that combine materials and outstanding techniques to embellish contemporary spaces.
Venue：A LIGHTHOUSE CALLED KANATA Kasumicho Terrace 6F, 3-24-20, Nishi-Azabu, Minato-ku Tokyo Period：10/21（Fri.）～10/29（Sat.）2022
emergence by Osamu Yokoyama (2022)
OMOTESANDO REPLICA
松田優と谷雄一郎によるデザインスタジオ「UO」が、2022年8月10日AM10：48に、表参道ヒルズ前の歩道の植込み(35°39‘59.6“N 139°42’35.6”E)で拾った枝を、2000本に複製し連結したアート作品。無限の空間のほんの一点と、刻々と変化し続ける時間の一点との唯一性を極大化しているこのオブジェクトが、表参道ヒルズの本館 吹抜け大階段に出現する。
会場：表参道ヒルズ 東京都渋谷区神宮前4-12-10 本館 吹抜け大階段
Tokyo Midtown will exhibit works of two creator groups featuring
“Design for Sustainable Future”
Venue: TOKYO MIDTOWN, Galleria 2F
in front of Aēsop store
9-7-1, Akasaka, Minato-ku, Tokyo
The series sea is an effort by ambi to realize the charm of STUDIO RELIGHT's activities through design, using recycled glass from waste fluorescent lamps that have been properly processed by STUDIO RELIGHT's parent company, Sawaya Co. The glass is molded from a lump of glass to maximize the uniqueness of color and bubbles of recycled glass. For some of the works, sand molds were used as casting molds, for texture, and to easily recycle after use. Each work represents different scenes of the “sea.”
“FLOW”- Fluid material cycle - by DAISUKE YAMAMOTO
Venue: TOKYO MIDTOWN, Galleria 2F in front of lucien pellat-finet, 9-7-1, Akasaka, Minato-ku, Tokyo
This project began with the awareness that everyday recyclable construction materials are disposed then new construction begins, so-called “scrap and build”. In this situation, he shed light on the most used and at the same time disposed material, LGS( Lightweight Gauge Steel ).This product series “FLOW” came to life from this process, challenging in realizing fluid material cycle that prevents any kind of industrial waste disposal.
DESIGNART TOKYO 2022 OFFICIAL PARTNERS
Perrier-Jouët is the Official Champagne of DESIGNART TOKYO 2022
Pernod Ricard Japan K.K.’s prestige Champagne house, Perrier-Jouët, will be sponsoring DESIGNART TOKYO 2022 again as the official champagne. Planted Air, a commissioned artwork by Garance Vallée, a French artist who has attracted attention for her mysterious worldview, will be exhibited at ISETAN SALONE (Tokyo Midtown, 1st floor) during the event. The world premiere of the artwork will be accompanied by a limited-edition collaboration product, Perrier-Jouët Blanc de Blancs by Garance Vallée, which will be on sale at the venue. Union Square Tokyo (Tokyo Midtown B1F) will also host a by-the-glass fair for Perrier-Jouët Blanc de Blancs.
BLUE BOTTLE COFFEE 5 stores become Official Cafes of DESIGNART TOKYO 2022
The five BLUE BOTTLE COFFEE cafes in Aoyama, Roppongi, Ginza, Hiroo, and Shibuya, become official cafes where you can stop by during your stroll of exhibitions, of DESIGNART TOKYO 2022. If you show the official DESIGNART Instagram account at the cashier during the exhibition, you will receive a piece of "Blue Bottle Yokan," (Japanese traditional sweets by bean paste shop in Horikawa Sanjo, Kyoto for over 60 years) that goes well with coffee, for every drink ordered. You can take it home or enjoy it at the cafe while enjoying design and art exhibitions.
"Taroma," an aroma brand from Toyama Prefecture, and designer Ryuya Yamada will present a glass aroma diffuser at AOYAMA cafe. The exhibition Wind Whisperer: Confiding the Wind by Studio POETIC CURIOSITY will be held at Shibuya Cafe and Kitaya Park. Viewers can experience that the words of their thoughts and feelings whispered into this interactive work, will be transformed into bubbles and blown away. Roppongi Cafe will exhibit DIG-DUG, a new work by Atsushi Shindo, who is engaged in the design of commercial facilities as an interior designer while also presenting interior objects and artworks from his personal projects.
Studio POETIC CURIOSITY photo by Mina Asaba
※Please note that all other cafes are not eligible for this offer.
For more information about Designart Tokyo, please visit: https://designart.jp/
The Quiddity of Life, R100 tokyo, Japan
The Better Life Index shows Japan performs well in a number of well-being dimensions compared with other countries. In terms of education, safety, and environmental quality, Japan performs better than the average. R100 Tokyo has unveiled a brand-new level of luxury and quality of life. The next phase of Japanese art of living is described by a new term called QOL (Quiddity of Life).
The Better Life Index shows Japan performs well in a number of well-being dimensions compared with other countries. In terms of education, safety, and environmental quality, Japan performs better than the average. R100 Tokyo has unveiled a brand-new level of luxury and quality of life. The next phase of Japanese art of living is described by a new term called QOL (Quiddity of Life).
Japan's aesthetic qualities transcend philosophical ideas about art and beauty. A cultural worldview is formed by them. In today's world, we are seeking the art of living.
R100 Tokyo is a Japanese brand whose mission is to cultivate design rooted in Japanese aesthetics with a global perspective. Creating meaningful values and innovating for a new era will be the result. This combines their vision of aesthetics, design, and sustainability. So what is the meaning of "QOL"? QOL is the most recent definition of the quiddity of life, from which most of us know the quality of life but, on top, having more layers and value. In order to meet such social challenges as sustainability, regeneration, and carbon emission reduction, the R100 Tokyo embraced and implemented a higher quality of life approach. They are trying to do that by incorporating knowledge required for the next era, including art, design, business, finance, technology, and sciences.
During a period of high economic development, complex living rapidly spread throughout the country. Individuality has progressed into "quantity" in lifestyle. Humanity today prioritizes a lifestyle called "Quality of life".
What does quality of life mean to you? Since each lifestyle is different, we cannot guarantee a definite answer. However, creating a sophisticated living space to provide a quality of life is where we can begin. A first step in cultivating and experiencing Japanese culture is to observe the environment and place in which we live. Most assets are valued based on their location.
1. CREATIVITY
Our home is more than just a place to live. This is a place to show what we dream of, and also to demonstrate our unique personality traits. Craftsmanship and products you can use at home can be found easily in Japan. In addition to just being a decoration, this is a way of appreciating luxury in life. Creativity or design is often incorporated into the place you live, and here are some ways to get more inspiration about creativity for your home from concierge services.
2. CROSS-CULTURE
A cross-cultural approach is one of the investments in the realm of design, as well as in living, that will give your apartment a new sense of value. One of the most valuable decisions you will make is to hire a designer for your apartment. This will give you not only a superior quality of living but also a tangible sense of ownership.
Whether you want to buy a second home for yourself or for your children or an apartment for them to stay in when they visit Japan's capital for studies or travel, all nationalities have unique cultures that influence their lifestyles. Though all wishes may differ, almost all clients have a limited amount of time due to their hectic international schedules. To make the most of their customers' limited time, R100 Tokyo finds out as soon as possible what their clients' needs and lifestyles are.
3. LUXURY
In today's world, luxury is more than just something expensive or a brand; it is also a sense of appreciation, the value of craftsmanship, the value of furniture, and the sense of living in luxury. Taking into account the neighborhood community, your home's design lifestyle, and concierge services that may streamline the process of building or managing your apartment or group are all significant aspects to consider.
4. QUALITY
When it comes to quality, it is rare to find condominiums larger than 100m2 in prime locations. As with an apartment in Japan, beside the design, the first thing to consider is the quality. Japan is an area prone to earthquakes. It is therefore important that we pay attention to the quality of the buildings there. Thus, prominent architects have designed and constructed buildings in prime locations at some points in history, which is a quality assurance for your home or investment. In Japan, aesthetic design is regarded as one of the most precious and valuable assets. The finest materials should be used in the design of your apartment if you are serious about investing in it.
5. REGENERATION
There is a significant cushioning effect provided by regeneration initiatives, but when it comes to holding properties in a portfolio, they have a limited effect. Toward a New Growth Era in our society, conservation is one of the value to keep our society reiterate.
Regeneration of urban areas contributes to sustainable development by 'recycling' land and buildings, reducing demolition waste, urbanizing peripheral areas, and facilitating intensification and compactness. As we mature, choosing the right apartment that fits our needs can benefit our society and help us to respond to our social responsibilities.
Interview with OEO STUDIO at OPUS ARISUGAWA
M: Merci Magazine, Peggy Lui O: OEO STUDIO Thomas Lykke
M: Would you be able to tell us more about your collaboration with R100 tokyo?
O: Opus Arisugawa residence 302 is the first project we have done for R100 tokyo. It has been both a very challenging project as well as rewarding. Challenging in the sense that we could not travel to Japan and oversee the project like we always do to pay attention to all details small as big.
We were completely depending on R100 tokyo and for R100 tokyo to be our eyes. It was a great collaboration and the residence 302 speaks for it self. it is even better in real life then on pictures. Hinsides I think both R100 and OEO Studio has learned a lot from the project.
M: Your relationship with Japan is different for each of you. How would you describe it?
O: Yes I guess we share the same appreciation and fascination for the culture andcountry. I guess we can say that my obsession with Japan started as a young teenager and has followed me ever since. I always felt a deeper connection to Japan. There is so much to learn from the culture and history.
M: Is it possible for you to share with us your design idea for Opus Arisugawa's newly renovated apartment at R100 tokyo?
O: Our design intent was to create a Japanese home infused with Scandinavian lifestyle and design. In many ways it feels very Japanese yet it also feels refreshing, modern with a twist of a Nordic flavour. It is warm and welcoming and designed for people to live there and to use it. Its a place for contemplation, relaxation, twosomeness as well as socialising with friends and family. Its a perfect retreat from the bustling, lively and busy Tokyo.
M: Would you be able to tell us more about your collaboration with R100 tokyo?
O: Opus Arisugawa residence 302 is the first project we have done for R100 tokyo. It has been both a very challenging project as well as rewarding. Challenging in the sense that we could not travel to Japan and oversee the project like we always do to pay attention to all details small as big. We were completely depending on R100 tokyo and for R100 tokyo to be our eyes. It was a great collaboration and the residence 302 speaks for it self. it is even better in real life then on pictures. Hinsides I think both R100 and OEO Studio has learned a lot from the project.
M: Your relationship with Japan is different for each of you. How would you describe it?
O: Yes I guess we share the same appreciation and fascination for the culture and country. I guess we can say that my obsession with Japan started as a young teenager and has followed me ever since. I always felt a deeper connection to Japan. There is so much to learn from the culture and history.
M: Is it possible for you to share with us your design idea for Opus Arisugawa's newly renovated apartment at R100 tokyo?
O: Our design intent was to create a Japanese home infused with Scandinavian lifestyle and design. In many ways it feels very Japanese yet it also feels refreshing, modern with a twist of a Nordic flavour. It is warm and welcoming and designed for people to live there and to use it.
Its a place for contemplation, relaxation, twosomes as well as socialising with friends and family. Its a perfect retreat from the bustling, lively and busy Tokyo.
M: What message do you wish to convey to Opus Arisugawa's apartment?
O: Residence 302 is a tribute to materiality and to detail we want to communicate the importance of beauty, natural materials, quality and perfection.
M: Can you share with us about your lifestyles?
O: Relaxed, unpretentious, human
M: Given the diverse cultural aspects, how do you see this design project changing our lifestyle in the near future?
O: Changing is a big word - hopefully the project can bring attention to the value beauty, rituals, crafts, materials and detail all composed in a way to support people in a relaxed and modern setting.
The rooted in Japanese aesthetics with a global perspective
INTERVIEW
M: Merci Magazine, Peggy Lui | R+: R100 tokyo Takashi Urakawa
M: How do you yourself define the quiddity of life?
R+: I believe that it is important to live a life of self- fulfillment that values “essence” more than quality. It’s not about always longing for what you don’t have, but about living with a deep understanding, respect, and joy for what is around you. For example, I think it means understanding and caring for what kind of intentions and processes were used to create a product, feeling proud of passing on something that has been handed down in an authentic and honest way, and I believe that it means to feel the essential value of things and experiences while living in the moment.
In other words, it is a way of life that values not just material or quantitative satisfaction, but a way of feeling and weaving meaningful time, and enjoying it while feeling an inner sense of fulfillment. As we live in a diverse society, we have to be flexible and adapt to new rules.
On the other hand, you may be feeling doubt, frustration, and anxiety about the sense of accelerating, faster, higher, and more. It is in these times that we need to discern “what changes and what stays the same” and what is important. I feel that enjoying and living on one’s own time axis leads to an essential way of life. In other words, expressing oneself in one’s own way of life, which I consider to be a quality and essential way of life.
M: How does R100 tokyo strive to provide or improve the quality of life of people purchasing your properties?
R+: Our residences have been carefully selected from the perspective of R100 tokyo, then we revitalize the property with thoughtful design to enhance the value. Our properties are located in some of the most desirable central Tokyo neighborhoods, which are backed by history, and we create homes of high quality and spacious proportions. The city of Tokyo is rich in culture and offers a variety of properties to suit all tastes. The updated renovated spaces are not only economically rational and comfortable to live in, but they are also intrinsically rich spaces that have been carefully created one by one. We believe that the following elements of a home are necessary for a rich life.
Rather than selecting extravagant materials we chose materials that will develop character over time.
They are spacious enough to accommodate changes in lifestyle and allow for a variety of uses.
Designs that residents will grow to love as they go about their daily life.
We are earnestly pursuing a space where people can live comfortably for many years.
We are not only providing housing, but also services that will enrich people’s lives after they start living there. In our consulting service for clients searching for a home, we provide real estate information with high asset value, and our R100 tokyo consultants support clients in selecting a partner to create a space based on their ideal lifestyle. R100 tokyo is not just about building homes, it incorporates the know-how and experience that we have gained through our experience in hotels, offices, commercial facilities.
Secondly, we are going to start providing services that will enhance the richness of people’s lives. We will start with the field of art, but we, at R100 tokyo, would like to offer services that go beyond simply introducing and making arrangements, and we intend to provide a richer experience for our clients than ever before.
M: How do you differentiate the essential value or uniqueness of R100 tokyo?
R+: R100 tokyo is not only about providing comfortable and well-designed residences in Tokyo, but also about proposing an essential way of living that goes beyond that. We are committed to providing our customers with proposals that will enrich their daily lives even after they move into their residences.
It is also our hope that the number of people who share this essential way of life will grow, and with the expansion of this circle, the value of "living in Tokyo" will increase even further.
M: What kind of community does R100 tokyo offer to its residents? Please describe online and offline communities?
R+: At R100 tokyo, we would like to offer an essential way of living through various experiences. We aim to facilitate interactive communication with people who share this essential way of living.
Our goal at R100 tokyo is to provide our customers with a variety of experiences that will enrich their lives. Moreover, we would like to be able to communicate through interactive means with people who live by this essential way of life. For this purpose, we launched "Curiosity," an online magazine that provides new discoveries, hints for enriched living, and articles that stimulate curiosity and inspire action. As a result of this media, R100 tokyo will be shared by a wide range of people. By becoming a member of R100 tokyo THE CLUB, we will propose essential ways of living to our members. R100 tokyo Salon is a place where you can experience R100 tokyo not only in media, but also in real life. We offer an assortment of events covering art and culture. As part of our mission, we would like to provide a place for our members to not only learn, but also to connect and communicate with one another.
“ReBITA is Japan’s leading refurbishment company.
They increased their value because they contributed to a better quality of life than conventional construction. In an environment that is constantly changing, including technological innovations and environmental concerns, lifestyles must have timeless value. People living lives with universal charm can appreciate the value of their own senses and experiences.”
The R100 tokyo consulting team carefully selects properties with solid asset values, such as "over 100 square meters," "mansions with lush greenery," and "high-quality management systems."With a unique space design and plan, their exclusive consultants introduce products and services tailored to each individual client. In addition, the services are divided into three categories:
1. research - Property Search
Based on area, region, and budget. Offering properties for apartment designed by R100 tokyo and those that are publicly available. A selection of carefully selected condominium information will be presented to you by R100 tokyo.
2. renovation
R100 tokyo will develop a renovation plan based on the needs of each customer. A renovation plan tailored to your needs will be proposed.
You can experience the Interior, space and philosophy of R100 Tokyo by visiting their salon first.
3. resales
In addtion to providing unique sales strategies for R100 tokyo's approximately 6,000 members, R100 tokyo specializes in the sale of mid to low-rise condominiums in central Tokyo
To discovery more information about R100 tokyo
https://r100tokyo.com/curiosity/r100tokyo/